It is about a boy named Ghahraman who changes his life when he starts working in a laboratory

Forough Farrokhzad, one of Iran's greatest modern poets, provoked uproar by daring to write of female sensuality in the face of society's traditional values. Her awakening found expression in poetry, theatre, and cinema, enabling art, as she saw it, to be a 'window through which we see ourselves sing, shout and cry'.

An anthology directed by Mohsen Makhmalbaf (Testing Democracy) and Dariush Mehrjui (Dear Cousin is Lost)

A mother's courage, hardship, and love, in times of war. In 1988, during the Iran-Iraq war, Gilane escorts her pregnant daughter, Maygol, from the relative calm of their village, Espili, into war-torn Tehran to search for Maygol's husband, Rahman. The journey is arduous and what they find when they reach the capital is dismaying and frightening. Fifteen years later, as another war begins in Iraq, Gillane is at home caring for her son Ismael, who suffers from epilepsy, a byproduct of war. As she cares for him, she hopes for a visit from the doctor and from another daughter, Atefah. "Better be a dog than a mother," she says.

Mahtab lives in Tehran in 1996, along with her 10-year-old child, Erfan. She has got divorced from her husband, Morteza, who is in jail. Mahtab has enrolled her child in a karate class so that he does not end up like his father as far as his character is concerned.

Mohammad is sent to an apartment situated in uptown Tehran to install their satellite dishes, while having satellite TV is illegal in Iran. He arrives there with a girl named Shirin who seems to be his girlfriend and is in need of some money to repair her father's car with which she has had an accident the day before. Each of the house's residents have their own fish to fry and they also want their satellites installed as soon as possible.

The uneasy relationship between a mother and daughter is made all the more turbulent by drug abuse in this downbeat drama from Iranian filmmakers Rakhshan Bani-Etemad and Mohsen Abdolvahab

Tuba works daily at a grueling textile factory in Iran, returning home every night to deal with the rest of her problematic family, which includes: a pregnant daughter whose husband beats her regularly; a teenage son, who's been getting into trouble due to his burgeoning career in radical politics; and an older son who goes to great lengths--such as attempting to sell the family's meager house--in order to get an engineering job in Japan as a means of getting out of Iran.

A man loses the ability to cry after the death of his younger brother. As he deals with grief and the separation from his wife, he tries to reconcile his job at a football website with depression and a lack of meaning in life.

Bemani has spent ten years in jail for killing her husband. Her child was taken away in prison and allegedly given to her husband’s family. Temporarily released, she immediately starts looking for her son. Bemani goes to the car demolition workshop where Ebi, her brother-in-law, works, but he claims not to know anything about the boy’s fate. She finds out, however, that it was Ebi who sold the child to a rich family. Bemani tries to extract more information from the workers of the demolition shop, but they demand an indecent favour in return for the information. As a desperate mother, she is prepared to go to the extremes, but not in the way the men are hoping for.