The film adaptation of the legendary puppet show "Nothing" has created a strange new genre, where the relationship between puppets and their actors is even more vivid, as the viewer's gaze is guided by the camera. The fusion of close-ups and totals, of orchestral numbers recorded like clips, of meta-scapes shining through from the theatrical space, of the puppet and actor work in the performance, has resulted in an unusual youth television puppet show applied to the optics of the camera.

“Morning,” “Noon,” “Evening”: a day set to music by Joseph Haydn. Italian conductor Giovanni Antonini and his ensemble Il Giardino Armonico perform the Austrian composer’s symphonic trilogy in the sumptuous Haydn Hall of the Esterházy Palace in Austria, the very place where it was first performed. More than 250 years later, a true alchemy unfolds in this historic setting between the musicians and the three works.