Demirkırat stumbled on March 12, 1971. Actually, you know, they shoot limping horses. But this time it didn't. Turkish democracy continued to run despite its wounds. Because March 12 was not a "seizure" but a "warning". The generals were saying, "If what we want is not done, we will seize it." The country was entering a new era under this Sword of Damocles. A president who was helpless in the face of events, a prime minister who had to leave his seat, a newly fallen parliament, four generals neither inside nor outside the power... Now, a solution would be tried to be found out of this complex equation. But how and with whom? No one knew the answer to these questions in Turkey on the morning of March 13.

We have a topic that has always been on the agenda of Turkey and the world, which we have been discussing for nearly 40 years: Cyprus. To foreigners, Cyprus is known as an innocent little island under Turkish invasion. Everyone forgot the bloody events of the past. What about us? Do we know? No. Especially the younger generations, who have come to the point of governing the country today, do not know where this country has gone through regarding Cyprus. However, we are now approaching a road junction in Cyprus. I will tell you the story of Cyprus in this documentary. This is a very bloody and sometimes very sad story...

32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!

32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!

32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!

32.Day, a news classic by Mehmet Ali Birand, is with you this time with the documentary 50 Years of Cyprus!

On the 50th anniversary of the Cyprus Peace Operation, TRT World revisits the island's turbulent history and asks: Is there still hope for reconciliation?

A mockumentary about Turkey-based Kurdish film director, scenarist, novelist, and actor Yilmaz Güney, shot three years after the filmmaker's death. It's also a political portrait of 20th century Turkey.