A documentary about the making of The Turin Horse, the last film directed by Hungarian master Béla Tarr.

An enterprising young man who practices medicine, striving to win the affection of his beloved, vows to cure her mother of a serious illness. To truly learn the secrets of medicine, he has to pretend to be deaf and mute and hire himself out as an assistant to the best doctor. Will the hero be able to keep his promise?

An abandoned tumbledown theater in the outback of Paraíba state is the initial setting of a film about cinema, which explores the testimonials of the novelist and playwright Ariano Suassuna and other filmmakers such as Ruy Guerra, Julio Bressane, Ken Loach, Andrzej Wajda, Karim Ainouz, José Padilha, Hector Babenco, Vilmos Zsigmond, Béla Tarr, Gus Van Sant and Jia Zhangke. They all respond to two basic questions: why do they make movies and why do they serve the seventh art. The filmmakers share their thoughts about time, narrative, rhythm, light, movement, the meaning of tragedy, the audience‘s desires and the boundaries with other forms of art.

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

Twenty well-known Hungarian artists - 10 right-wing (said to be) and 10 left-liberal (said to be) writers, directors, actors, musicians talk about the regime change and what has happened to us here in the last 30 years.

A film within a film within a film within a fish.

Hungarian filmmaker Béla Tarr and film critic Howard Feinstein discuss his innovative filmography, punctuated by clips from his films.

Zoltai is a Hungarian professor who returns home after a visit to the United States. Following a television interview, he commits suicide and leaves a note for his longtime friend Dr. Bardocz. The doctor and Zoltai's colleague Komindi join the police in investigating what drove the man to suicide.

This film documents the "FUKUSHIMA with BÉLA TARR", a filmmaking workshop in Fukushima conducted by esteemed Hungarian filmmaker Tarr Béla.