Ayub Khan-Din Movies, TV Shows, and Filmography
Ayub Khan-Din
Acting
Biography
Ayub Khan Din (born 11 July 1961) is a British writer and actor. He wrote the BAFTA, BIFA and London Film Critics Circle award-winning film East Is East (1999), adapted from his 1996 Olivier-nominated play of the same name. His 2008 comedy play Rafta, Rafta... won the Olivier Award. He went on to write the film sequel West Is West (2010). On television, he created the Channel 4 comedy-drama Ackley Bridge (2017–2022). As an actor, Khan Din's roles include Sammy in Hanif Kureishi's film Sammy and Rosie Get Laid in (1987), Hanif Ruparell in the soap opera Coronation Street (1992–1993), and Ravi Shah in the ITV series London Bridge (1996).
Filmography Movies
Acting
Sammy and Rosie Get Laid
Sammy and Rosie are an unconventional middle-class London married couple. They live in the midst of inner-city chaos, surround themselves with intellectual street people, and sleep with everybody - except each other! Things become interesting when Sammy's father, Rafi, who is a former Indian government minister, comes to London for a visit. Sammy, Rosie, and Rafi try to find meaning through their lives and loves.
Shalom Salaam
Two disparate families become intertwined when a Jewish man and a Muslim woman fall in love while attending college.
The Care of Time
Robert Halliday is coerced into helping Karlis Zander, an international fixer, into editing a Russian terrorist's memoirs and ghostwriting an exposé of modern terrorists.
Magic Mike's Last Dance
Mike Lane takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite who lures him with an offer he can’t refuse… and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?
My Beautiful Laundrette
A young Pakistani Briton manages a rundown laundrette with his lover while dealing with tension in his family, the local Pakistani community, and a persistent mob of skinheads.
Goodbye Stranger
Set on the deserted North Sea island of Langeness, a lonely woman begins an affair with a stranger; only after he is identified as a political fugitive and deported does she begin to learn about his true identity and his past.
Production
East Is East
In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought up in Britain, increasingly see themselves as British and start to reject their father's rules on dress, food, religion, and living in general.
All in Good Time
East Is East writer Ayub Khan-Din returns with another funny, tender-hearted portrait of family strife. Based on his popular play Rafta, Rafta (itself inspired by Bill Naughtons 1960s classic All in Good Time), the film is set in Bolton where Atul and Vina are celebrating their marriage. However, a honeymoon spent with his parents was not part of their plans. Thoughtless patriarch Eeshwar seems determined to emasculate and embarrass his son. As the weeks pass, consummating their union becomes an impossibility that threatens the couple's entire future. A breezy mixture of heartbreak and hilarity, All in Good Time also offers peerless performances from original stage stars Harish Patel and Meera Syal.
National Theatre Live: East is East
Salford, 1971. George Khan wants to raise his family in the traditional Pakistani way, but his children have other ideas. Abdul and Tariq aren't ready to be married off, Saleem is pushing artistic boundaries, Meenah's skirt is too short, and Sajit just wants to hide in his parka. As relations reach breaking point, their English mother, Ella, is torn between her loyalty to George and the happiness of her children.
West Is West
Salford, North of England, 1976. The now much diminished, but still dysfunctional, Khan family continues to struggle for survival. Sajid, the youngest Khan is deep in pubescent crisis under heavy assault both from his father's tyrannical insistence on Pakistani tradition, and from the fierce bullies in the schoolyard. So, in a last, desperate attempt to 'sort him out', his father decides to pack him off to Mrs Khan No 1 and family in the Punjab, the wife and daughters he had abandoned 35 years earlier.
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