Raju informs the police about a group of bandits, even though he is in love with the chief's daughter. The police set out to kill the clan and it is upto him to save the bandits and his love.

Atop 17 flights of stairs, Madame Aldjeria rules over a crew of beautiful young women with the help of faithful son Riyad and clever lawyer Djaffar. Madame Aldjeria can set up a lonely old man with companionship or destroy the reputation of whomever the client wants humiliated. But when Riyad grows attracted to a beautiful new girl, Paloma, and a potentially huge new project runs into trouble, Aldjeria could lose everything she's worked for.

Gianni is sixty. He is retired but has not become lazy for all that. In fact he is a helpful fellow who gives a hand to all those who need one: shopping for his wife, walking the pretty neighbor's dog, and so on. Everybody likes Gianni, but is it for the right reasons? Doesn't his wife profit by the situation (she still works so it is only logical that Gianni do all the chores)? Isn't he subject to the excruciating whims of his rich mother?... Sure, everybody LIKES Gianni, but who LOVES him? Agreed, being kind to them, he is the ladies pet, but he does not attract them anymore. That is why, when his macho lawyer friend Alfonso blames him for not having young mistresses "like every other senior Italian male", Gianni, who is beginning to ask himself questions about what it is like to become old, starts chasing dames.

The friendship between two Southern Italy kids is tested by their meeting with a young girl who's attempted suicide after failing to get married. Based on the novel "Il paese delle spose infelici" (literally, "Village of the Sad Brides", which is also the original title of this film) this elegantly photographed coming-of-age tale has sensitivity to spare but its stylish, yet understated, attitude doesn't easily win viewers over.

Rome, Paris and Helsinki right after the Madrid bombings. Three stories about people who, for different reasons, are afraid of others – the eponymous "thy neighbor." A humanity full of differences, but at the same time, with very similar feelings. So similar that their stories appear almost parallel and complementary.

For Arturo, a forty-year-old actor, success has finally arrived: the TV series in which he plays a separated father is doing quite well. Unexpectedly, however, comes the flipside of his popularity: Mirko, a boy who recently lost his father, has replaced him in his imagination with the character of Arturo. The media is going wild, and the presence of Enrico, the actor's agent, becomes increasingly pressing.

Blue-collar worker Diego lives in the Roman suburbs and is about to marry his lifelong fiancée. His feelings are put to the test on the eve of the wedding, when, while working on the renovation of a luxury home, he meets Viola, his boss's granddaughter, and becomes fascinated by a lifestyle light-years away from his.

Love is a bitter history of formation and growth. The discovery of the world. The self-discovery. The restless overcoming fragile shadow line of the first youth marks the path of three boys from different worlds who meet in heaven and ancestral magic of the islands. Romance of André, Camille and Santino end up exploding inside the frame closed the island of Salina, surrounded by a sea that seems to contain the memory of legends, rumors and atavistic prejudices. Stands out in this scenario of green and blue, the figure of Assunta (Angela Molina), mother Mediterranean, passionate, possessive and mysterious.