1962 Japanese movie

One of Sayuri Yoshinaga's first leading roles.

Nobuo is a hot-headed hoodlum fresh out of reform school who struggles to make a clean break with his tearaway past.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

This rarely seen gem from master Suzuki casts teenage heartthrob Koji Wada as a young misfit who suddenly finds himself the unwitting pawn in an escalating family feud that ultimately leads to tragedy. Lean, mean, and stylish as always, this tale of youth-gone-wild is both vibrant and touching. Suzuki contrasts tranquil glimpses of traditional regional life with the emergence of the new rock 'n' roll youth culture and the greed and seething cynicism of encroaching Westernism. Also released under the title "Go To Hell, Hoodlums!", this is a melodrama as colorful, shocking, and exhilarating as one would come to expect from Japan's master filmmaker.

A sniper kills two prisoners in a police van, and the driver sets out to find the killer.

A newspaper reporter's search for his girlfriend's missing father lead him into heart of the criminal underworld of Yokohama's Chinatown.

Everything goes wrong when Jiro tries to break up his mother's relationship with a business man. The young rebel Jiro has to deal with an environment of crime and prostitution, and the impact of its choices on personal relationships: one with his mother, one with her business man lover and one with the girl in love with him.

A bus making its precarious way across a winding mountain road picks up some unwelcome passengers.

Katiri is a reporter so ambitiously amoral that he’ll sell out anyone—including his partner and the drug dealer he’s sleeping with—to get a scoop. But what happens when an even more ruthless female gang boss kidnaps his sister?