A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

A meeting with music, composer, poet and sociologist Negro Léo. He gives his thoughts on the development of music, Brazilian and international politics, the rise of neo-pentecostal evangelical churches and obsession over social media, in parallel with his own life story.

Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.

A documentary following five actresses through Santa Catarina roads as they perform the play of the title.

A man shaves under the watchful eye of a cat. His beard becomes a cat and the cat a beard. The film merges the two concepts of chimera: as a noun, it is the result of imagination that tends not to come true; in Greek mythology, a figure with the hybrid appearance of two or more animals.

Vera and Gabriel, an elderly couple, navigate through past and present, telling their own life story. Their remembering, rendered in images from family archives that confound themselves with images of the present, suggests a personal diary on love and death.

Down on his luck and recently divorced, Paulo has begun driving a cab around Rio, hoping he’ll make enough to send his ex money to support their ten-year-old son. He mostly works nights, so in addition to his encounters with a colourful variety of customers, colleagues, cops and others, he must cope with loneliness, fatigue and new faces in his life.

The film presents the theatrical show "Os Sertões", staged by the group Teatro Oficina during 2007, in the city of Canudos, founded by Antonio Conselheiro and massacred by the Brazilian army in 1897.

Freely inspired by the poem Hierarquia (1970), by Pier Paolo Pasolini, which launches his vision of Brazil at that time, the film takes up and confronts the hybrid reality of a convulsed country, its dramatic tensions, based on radical experiences.

A man's journey through time or infinite space.