In 1942, Nea' Vitu is in trouble with his children: a son is fascinated by the world of war profiteers, and the daughter is going around with the speculator "Treispemii" (Dan Nutu). On the evening of her engagement, Vitu is denounced by his son for hiding an illegal printing press in a painter's house. Thirty years later, he returns to the slum and searches for the Vitu family. They no longer live there, the neighbors have changed, and he investigates to find out what happened to them. Nea Vițu, you raise your daughter, Rădița, and son Fănică. His wife Dorina died when Fănică was born. Apparently, family problems are difficult barriers to overcome. He's an honest man. He gets angry at the slick Fănică. Fănică is also chased away by the slum priest, because he wanted to make a new bible... where he'd be Fănică the God .... Rădița goes around with the speculator "Treispemii". In 1942, nea Vițu joins the fight against the Nazis and runs an illegal printing house with a painter...

Petre Orsa, a young peasant gets a job at the Hunedoara Steel Mill with the dream of becoming a top-notch steel man, having Mihai Solca – a sort of communist industrial hero – as his role model. He starts low moving dirt around with a shovel but he soon gets into the team of an old steel man, foreman Tudor Baci.

A metaforic look at the ages of man.

Romania in the year 1947: two years after the end of the second World War, the King (Mihai of Hohenzollern and Romania) has to leave the country, the communism is knocking at the door, and in these uncertain times, two young people are fighting to get their dream become real artists.