In RoboCop, the year is 2028 and multinational conglomerate OmniCorp is at the center of robot technology. Overseas, their drones have been used by the military for years, but have been forbidden for law enforcement in America. Now OmniCorp wants to bring their controversial technology to the home front, and they see a golden opportunity to do it. When Alex Murphy – a loving husband, father and good cop doing his best to stem the tide of crime and corruption in Detroit – is critically injured, OmniCorp sees their chance to build a part-man, part-robot police officer. OmniCorp envisions a RoboCop in every city and even more billions for their shareholders, but they never counted on one thing: there is still a man inside the machine.

Extremely shy Lars finds it impossible to make friends or socialize. His brother and sister-in-law worry about him, so when he announces that he has a girlfriend he met on the Internet, they are overjoyed. But Lars' new lady is a life-size plastic woman. On the advice of a doctor, his family and the rest of the community go along with his delusion.

What gets lost when female voices are stymied during the creative process? Pairing intimate interviews with absurdist re-enactments, Joyce Wong crafts a tartly subversive look at patriarchy and racism in the film industry.

Canadian comedy darling Aurora Browne (Baroness Von Sketch) stars in a story of a complicated woman as seen through the eyes of her adoring dog.

An indie rock band struggling to make its mark finds a possible meal ticket in an infectious new guitar riff. Unfortunately, it’s also a cursed melody that just so happens to open a portal to another, much scarier dimension.

Grace Pine, a 24-year-old music critic, moves to Montreal to write a book on Alanis Morissette's Jagged Little Pill, but her plans are complicated when she becomes romantically involved with two members of an indie band she is covering and decides to become their publicist.