Alberto's marriage is a complete failure: his wife Elena is a hard woman influenced by her mother and sister who live with the married couple. Alberto is also experiencing financial problems and hopes for the help of a rich widow who is however interested in his sexual favours. Naturally Elena puts obstacles in his way and everything goes wrong. Alberto decides to change job then and becomes a sweets sales representative. Disillusioned with marital life he also changes his attitude towards women: he tells every woman he meets he is single.

Following the death of her uncle, Elisabeth returns to her family's castle for the reading of his will. She is informed of legends about the castle's ghost and experiences erotically charged nightmares, before being kidnapped by a hooded figure and tortured in the dungeon. Meanwhile, her boyfriend Jack suspects a plot to gain Elisabeth's inheritance and begins his own investigation...

A young man comes to town to find the killer of his older brother. Aided by his two sidekicks and a bag containing $20,000 as bait, he hopes to draw out the gang and their leader, the suspected killer.

For medical advice, Carlos and his wife, Julia go on vacation to a fashion beach. The hotel gets a new host, Roldós, known seducer of scandalous history that lives in the suite next to the couple. Julia hears a piano melody and below the door finds a message asking her to meet in one place. Faced with this audacity, Julia reacts with dignity but curiousity as well. The recklessness of the seducer gets to the point that Carlos realizes this 'relationship' causing a scene of jealousy. Blinded by deception, the follows the supposed rival and Julia and the other people in the hotel heard gunshots. An inspector arrives to investigate the disappearance of Roldós and all suspicion falls on Carlos.

A widower finds himself falling for his sister-in-law.

In the fall of 1824 Javier Montenegro, Bradomin Marquis is spared death hanging by Captain Casares, and in return, the Marquis agrees to help him escape to America. Adaptation of "Sonata de Otoño" and "Sonata de Estío" of Ramón María del Valle-Inclan, which included elements Bardem later works of the author.

In a country house dedicated to breeding bulls, bound for bullfighting, a love story emerges, conditioned by social class differences.

Madrid in the 1870s. Amidst political intrigues against King Amadeo de Saboya, wealthy and strong-willed countess Curra de Albornoz makes her own way in spite of her son and husband, considering her indiscretions as merely trifles ("pequeñeces") until tragedy strikes her. Period drama with a luxurious production design.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

The passion that Joan of Castile, daughter of the Catholic Kings and heir to the throne, feels for her husband, Philip the Handsome, sovereign of the Netherlands and son of Maximilian of Austria and Mary of Burgundy, is not reciprocated. Her temperament, her jealousy and an unexpected tragedy will throw Joan into the dark realm of madness and obsession with death, the only realm where she will be a true queen…