Boróka, the 18-year-old heroine of the film, soon lives off the millions she has received to buy a home with her lover János, who, once they run out of money, trades her love for a Harley Davidson motorbike. Boróka becomes the prisoner of a pimp named Ronaldo. She has a bitter experience in the woods near the highway until she escapes from her captor at the first opportunity. She meets Móric, who takes in the escaped girl. Boróka enrols in an EU manager training course. Her talents soon come to light, successfully selling red umbrellas to a large crowd of her former acquaintances. Ronaldo and his buddy, tracking her down, find Móric, whose arm is broken in a fight. Boróka herself seeks revenge and attacks the pimp (in a female way) in a bodybuilding salon. After clearing the obstacles, she successfully completes the course, Móric recovers and the future may even bring love for the young couple.

The film is a stage play hybrid showcasing dark and absurd sketches based on contemporary Hungarian news of the 2000's with campy, senseless musical interludes in-between. Highly experimental in nature that - like Marmite - will split its' crowd into ones that'll love it and others that'll loathe it. There's no middle grounds here. The topics included are: The Hungarian Olympians' doping scandal, political terrorism, the national elections... and more.

As part of the Temps d'Images festival, TRAFÓ Budapest produced 'bildtheatre' performances titled RECYCLEd, experimenting with the relationship between theatre and film, exploring the analogies of recycling, which in this context refers to any cyclically repeated notion. The dramaturgies of the productions were shaped by themes, according to which their far-fetched ideas were transformed and thus became open to further use, i.e., symbioses formed between them when they were recycled. These fictional etudes by Pater Sparrow were short sensations based on dialogues, represented by strange characters, in some shifted spaces and times and in surreal settings, teeming with visual allegories and codes.

'...while something is hot, one cannot touch it. However, when it gets cold, it’s not worth it anymore.'

T?ICK is the depiction of the relationship between man and woman, or if you like, separate but according to their function, connected principles. However, there is no philosophy or doctrine behind it, which could make it tangible. Thus, it doesn't operate in a complete system, but in one that can be continued. It tries to be a wake-up call to help everyone get rid of their daytime inhibitions and liberate their personal capacity for understanding.