This film tells three scary stories that take place in and around a school in Japan. While each of the stories can be viewed independently, they are linked by location and by the time they occur. The events are defined on the last day of summer vacation, the students contemplate the passage of their temporary freedom and the resumption of classes

The movie is based on an autobiographical book titled “Tokyo Furyou Shounen Densetsu.” The book was written by Endo Natsuki, who was once affiliated with the biker team and band COOLS that was formed in the 1970s by Tachi Hiroshi (61) and Iwaki Koichi (60). The story for the film takes place at a technical high school in the 1970s, where it is said that half of the school’s 3,000 students are juvenile delinquents. Saito plays a student named Sendo, who is aiming to be number one out of all of them. Naturally, the movie will incorporate a lot of action scenes as he brawls his way to the top.

Three junior high school students hear a rumor about the science lab and sneak into the classroom at night...

A story of two men, one recently bereaved, the other with a wife in a coma. From the popular song.

Chiyoko's mother died when she was young. Since that time, Chiyoko has closed her heart to others. After her pet dies, Chiyoko feels loneliness. Her mother liked the Italian movie "La Strada." Due to movie study club senior, Masamune, Chiyoko is able to watch the Italian movie "La Strada," which her mother liked. Chiyoko soon acts in a movie directed by Masamune.

Naoto Ogata plays Sadajiro, a young farmer fighting out the battle of the riot through to the end. Sadajiro's wife is played by Hiromi Iwasaki, his father is played by Go Kato and Ryuzo Hayashi plays a leader of the Riot. The Riot in Gujo is called one of the biggest three riots in the Edo Period as it took almost 5 years to settle and also involved the Edo government. This movie is a period film about the riot and Gujo farmers fighting for their tenacity of purpose. The farmers had suffered enough from heavy taxes and decided to rise up in riot when the domain lord, Yorikane, issued a new act, which practically forced tax increases. Asking the lord to retract the act, they pour down to the Hachiman Castle. For once they attain the repeal deed signed by the chief retainer. However the promise is broken. Now the farmers decide to make a direct plea to the Edo Residence…This film is full tension and breathless moments.

Mystery writer Kosaku Asahina scores yet another scoop in a case that occurred in the streets. He even personally conducts investigations and frequently makes these cases the basis for his own novels. It maybe because his late father was a scholar that he is cool, but brims with curiosity and action. One day, Kosaku is facing the computer in his living room and writing a new novel. The novel is based on the baffling case of a female who fell to her death in Setagaya in the past. Kosaku had personally conducted interviews and inspected the scene of her death, but still cannot get to the truth. Then a letter addressed to his father Konosuke who died more than 20 years ago, is delivered to Kosaku. The name of the sender is the female whose mysterious death from a fall, is the subject of Kosaku’s new novel.

Yoneda Katsumi (Nishida Toshiyuki) is a police sergeant who exudes little presence.One day, Yoneda happens to come across an article on a cafe called Kohaku in a booklet at his regular cafe. Then he abruptly takes leave and heads to Kohaku which is located in Uozu, Toyama Prefecture by bullet train. For some reason, he has documents on an unsolved arson cum murder case which took place in Kichijoji 25 years ago.The owner of Kohaku is Arai Toshio (Terao Akira) who has seemingly sad eyes. They spend time together with his only regular customer, Hirai Sachiko (Suzuki Kyoka), a married woman who works at the port’s fisheries cooperative. Their interactions gradually start to deepen even as they sense the darkness in each other. What is the fate that awaits them?

Nitobe and Sakamoto are childhood friends who now work at the front desk of a capsule hotel. Nitobe has a particular fondness for philosophy and crustaceans. Sakamoto, meanwhile, is fixated on suicide. The capsule hotel draws a variety of guests, including a Finnish mother who has lost her child, a fugitive woman, and a researcher studying Daphnia. None of their lives ever intersect. They exist, but never cross, like cells in a capsule hotel. The themes of life and death are explored through a fragmentary view of the characters’ lives.