An unorthodox music documentary about the marginal diva Nükhet Duru from the perspective of Turkish musicians. Her fame transcended borders when The Weeknd sampled her song in his platinum hit "Often". A journey is taken across Istanbul along with the creative process behind Duru's new album "Hikayesi Var" which comprises her interpreting her own classics together with young generation of musicians Sıla, Kenan Doğulu, Teoman, Mabel Matiz, Funda Arar, Ceylan Ertem, Ata Demirer, Kalben, Zeynep Bastık, Rubato, Sena Şener ve Evrencan Gündüz.

Hüseyin is a young man who lives with his grandfather and grandmother in a village in Thracian Turkey. The two great loves of his life are his clarinet and Müjgan, a nurse. Although Hüseyin is content with his life, with his music and dreams of Mügan, due to an unexpected development he leaves his village. He ends up in Istanbul where he finds support first in his clarinet and then in the friendship of the singer Firuzan. Firuzan is a popular nightclub performer who is eagerly working on an album as she leads a colorful but complicated life. When Firuzan meets Huseyin, the course of events gives away to a hilarious adventure.

Between 2007 and 2011, this stand-up was watched by approximately 100,000 people with 116 plays. “Ata Demirer One-Man Giant Staff 2”, which started to take the curtain almost ten years after the first “One Man Giant Staff” show, is a stand-up show enriched with popular culture references and musical details.

The stand-up, which was staged 104 times from 2002 to 2005, hosted approximately 100,000 audiences. In this show, Ata Demirer reveals his unique style with scenes from Turkey, special characters and musical transitions.

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.

A clarinetist from a village in Turkey's Thracian region tries to reach his fiancé, who works as a nurse in a village near Çanakkale, to give her a ring to win back her heart.

The paths of Resul, a blind sculptor who served time for murder; Kader, a famous actress; Fazıl Bir, a deranged director who turned into a human bomb in order to force Kader to star in his film; Güngör, a hard-working classical musician; and Muhtar, Güngör's incompetent manager who caused him to become a loser, intersect at a French restaurant called Le Chic , and within 15 minutes, a series of extraordinary events unfold and come to a head.

A boxer from berlin gets involved in several schemes. When trouble mounts, he relocates to Turkey.

Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.