
Acting
Arthur Jensen was originally trained as a tailor and later educated at the Royal Theatre's student school 1920-23 and had an extensive theatre career. He experienced his heyday on television after passing the age of 70. He never achieved the same heights in film as he did in television, with roles such as caretaker Meyer in Huset på Christianshavn (1970-77) and clerk Schwan from Damernes Magasin in Matador (1978-81). With the exception of when he reprised the character of caretaker Meyer in Erik Balling's film version of the TV series, Ballade på Christianshavn (1971). It was his best film performance. He portrayed the two TV series characters shamelessly on his distinctive type: the comically aunty as caretaker Meyer and the sly and vain as clerk Schwan. What could have ended up as a gay caricature becomes human portraits in the garb of folk comedy, not least thanks to Arthur Jensen's humor, which at once shows solidarity and irony with the characters. It took a long time for Arthur Jensen to discovery who he was as an actor. After four silent film supporting roles at Fy&Bi, he formed a comedic duo with Ib Schønberg in several of Alice O'Fredericks' and Lau Lauritzen's energetic prank farces in the 1930s, but the fun is sporadic, and the inventions are often self-satisfied and infantile. His recurring role as a whiny spanking boy for the healthy guys in these films, including director Lauritzen himself, are particularly unfunny and almost unpleasant.

Clumsy secret agent Jensen (aka Agent 69) must deliver secret formula for new revolutionary fuel source to Western agents. Instead, he mistakenly gives it to a random kid, so now both him and evil rogue agent Scorpio go after the kid.

The final film in the Gyldenkål trilogy. Following a financial downturn, Charles Gyldenkål decides to run for municipal office. After an unconventional election campaign, he is elected to the city council and becomes the deciding vote in the mayoral election.

Bettina Eriksen, manager of her Uncle Teodor's nursing home, is being framed for murder. With the help of 2 older ladies, Bettina sets out to find out the murderer's identity and motive.

Women have joined the military in Denmark but may still not serve in the navy. This makes the lives of the sailors difficult when three women get trapped on board of a navy vessel do to an surprise exercise at sea. Trying to hide the three women leads to comical situations.

After his usual stay behind bars, Egon has another cunning plan involving millions. They rob over 4 million from a money transport. The gang keeps a low profile and hide the money. But it's stolen by "Kongen" and "Knægten", who immediately start living it up - in the penthouse suite at the Sheraton. The suitcase with the money changes hands several times, before Kongen's daughter takes of with all the money.

A folk comedy for the whole family. The two carefree farm musicians, Poul Otto Madsen and Bernhard Iversen, along with the dog Hannibal, move into the garden houses Nokken on Amager. Shortly afterwards, Bernhard's two children, Anne and Peter, show up after living with his sister in the United States. The children thrive among Nokken's free spirits and helpful people, but the social services want to take them away because the environment is not in the children's best interests (!) - Of course, everything ends as it should. The feisty Olga, owner of the Faldgruben pub, suddenly becomes a mother of two – initially to please the authorities and the children.

Bank director L.W. Jacobsen resides in a small provincial town. He is not particularly interested in his wife, Elsebeth, but rather in teacher and city council member Miss Mortensen. Thorsen, the town's manufacturer, is a member of the same city council group as Jacobsen. Then Don Olsen comes to town. Olsen is not interested in the upper class, but rather in people. By chance, Thorsen and Olsen meet and soon become drinking buddies. Thorsen drags the milkman's horse home to his apartment in the middle of the night. The scandal is a reality. Thorsen wants to flee, but with Olsen's help, he instead woos the townspeople and Miss Mortensen under the motto "Make good times better."

The con artist Prince Fingernem is a regular customer of the waitresses Mona Lisa and young Vicky at the Trinidad tavern – a small, damp paradise in Nyhavn. But paradise also has a snake, of course, Mr. Schwartz, who has big plans for the area.

This festive comedy has a theme song that was incredibly popular in its day – but which is missing a verse! The penultimate verse ends as follows: "...there were 39 sailors and one girl, and that's why the censors deleted the last verse." In 1965, it was new and very daring for a girl to go to sea in the merchant navy. But fortunately, Peer Guldbrandsen and director Annelise Reenberg saw that girls also had a future at sea when they wrote the film's screenplay based on Else Boyes' best-selling novel. The moral frown is replaced by a big smile when the pretty radio operator, Else, boards the M/S Warrigal, owned by the magnificent shipowner, Wilhelmine Jacobsen. The trip from Brønshøj to Bangkok – and back – becomes as festive as an archetypal Danish male society can manage when a pretty girl destroys their age-old traditions.

In a hospital's five-bed room—room number 13—there are five very different men with very different backgrounds: District Court Judge Winther, fashion designer Philip André, bank teller Madsen, the incorrigible burglar Herluf "Smukke Arne" Jensen, and legation secretary Konrad Konradsen. The legation secretary has done something foolish and fallen into the clutches of the blackmailer Helmer Gamtofte. He is in possession of some compromising photographs, which he keeps in a safe deposit box at the bank where Madsen works. The camaraderie that develops in room 13 becomes the driving force that prompts the district court judge to suggest that "Smukke Arne" help Konradsen break into the bank and steal the photos.







