The film's heroine is a dancer of world-wide reputation who, in the days of her struggle, has offended the story's villain.

A dapper sergeant in the army won the love of a pretty young stenographer, and they had planned that as soon as his term of enlistment was up he would enter private life and marry her. The girl was employed by a firm who had offices in one of the tallest of New York's skyscrapers, and her sweetheart saw her there. She took him to her favorite observatory, the roof of the building, where he obtained a magnificent and uninterrupted view of the greatest city in the world. He, on his part, took his sweetheart to the army maneuvers, where she witnessed with delight the well drilled troops, but would not confess that there was one man among them who could not compare with the one of her choice. She was particularly interested in the signal corps, however, and at odd times the sergeant instructed her in the code until she had become fairly proficient in it.

The head waiter was thoroughly impressed with his own importance and he ruled the fashionable restaurant, where he was employed, with a rod of iron. He knew he was brilliant, he realized that he was beautiful and he was thoroughly convinced that the majority of the women who dined at his establishment were very much in love with him.

After learning that her stepfather, John Braun, is a spy, Ruth leaves him and starts out upon a cross-country journey. In her travels, she sees a plane crash to earth and rushes to assist its pilot, John Barker. The two fall in love and are married. In the midst of their honeymoon, war breaks out and John is called to his post, leaving Ruth alone with only the servants to protect her. In John's absence, the enemy invades the countryside, commandeers the Barker house and imprisons Ruth in her room. Meanwhile, John takes leave to search for his wife. Managing to get through the enemy line, he arrives just as Ruth, enraged at the action of the invaders, dynamites the cellar of the house. As the building explodes, Ruth and John escape in his plane.

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

In this adventure the diplomatic free-lance and his brilliant aid in war, Nan Tremain, are again pitted against their relentless enemy, Pfaff.

The lead Florence La Badie plays dual roles. Clever editing is used for the scene where her two characters meet. La Badie, however, does appear twice within a scene via superimposition, but that's in a flashback-within-a-mirror scene. There are a couple such scenes where La Badie's reflection in the mirror reflects her reflective melancholy mood.

In the home of the stalwart young son and his mother, the girl rescued from the sea grows strong again after her fearful exposure. Her attractiveness, so different from that of the fisher maidens, has a telling effect on the young man. He asks her, at length, to become his bride, and she accepts. But a few days before the wedding the affianced bride disappears, sailing away with a strange man from the city, who has suddenly appeared. Thinking that his sweetheart had deserted him for another, the fisherman is heartbroken for a time, but gradually the keen edge of his sorrow wears away, and he succumbs to the attractions of another girl, one who had recently come to the village with her father, and who had lived together and alone at the end of the town.

A series of flashbacks where a penniless, friendless tramp and his dog relates the story of his downfall due to drink.

The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.