Devil Gold is director José Novoa's third collaboration with producer Elia Schneider, and like the previous two films, Huelepega (or Glue Sniffer, which Schneider directed in 2000) and Sicario (1994), the film is a thriller-melodrama that focuses on a real-life problem plaguing Venezuela, with an emphasis on how the conditions affect children. Thus, after a few titles explaining the impact that gold mining has had on the country's Amazon region, along with helicopter footage (later to be blended into the narrative) of the ecologically devastated area, the film settles in on the lawless shanty town of Payapal for its narrative. Gallego (Armando Gota) runs the mine, exploiting his cheap labor force. Aroldo (Pedro Lander) breaks into Gallego's safe and steals his gold, along with a good deal of gold that Gallego was holding for his workers. Aroldo involves the unwitting Carmen (Jenny Noguera) in the robbery, and, when they are discovered, he shoots and kills Gallego's young son.

During a bus ride through the Andes, two seminarians encounter with a woman named Manon. Immediately, one of them falls in love and the attraction is mutual, so they decide to flee to capital city to start a new life. But the love of Manon ambitious drags this man to leave his vocation and commit criminal acts to maintain a life of luxury and extravagance.

A group of thieves and outcasts are living in a big abandoned movie theater where they have created a very friendly and very particular universe. The police will use all its resources to violate their space, but again and again fail in their attempts.

In the wake of a banking crisis, four middle class friends throw a 'white glove' hold up, only to find out that their bank has already gone bankrupt.

The political leader Alberto Carnevali, secretly returns to his country to plot against the dictatorship of Marcos Perez Jimenez. The Intense subversive struggle brings the torture of many of his comrades.

Commissioner Leon (Miguel Angel Landa) investigates the murder of a woman in a population near the capital. The woman was raped before death and the case is complicated when his brother becomes the prime suspect, since it is a priest (Eduardo Serrano). Because of the implications that inquiries might have, Leon is pressured to keep the event as a "crab" (Cangrejo, or a unsolvable case), but he decides to comply with the law.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

"Al Borde de la Línea" is the story of Claudia, a 16-year-old girl who works as a chambermaid in a rundown hotel where she is sexually abused by Rodriguez, the owner. She decides to escape with the help of her friend Alma, an older woman who is also a maid and Salvador, the driver of the morgue's van who is desperately in love with her. The night they have planned the escape, everything changes. Claudia runs away with Juan, a singer she met that day in the hotel's bar. Events unravel and bring them all back to the hotel "Crepúsculos de Venecia" a place of encounter, obsession, and betrayal. Their fate lies in Claudia's hands.

Venezuelans remember the scene when the people deposed Governor and Captain Vicente Emparan, what few know is how this event happened. Artists reopen this episode to show what has never been heard of April 19, 1810

From absolute poverty to absolute power! "El Don" is the saga of a common man with uncommonly fierce ambition who rises to rule an empire of unspeakable evil only to discover that the love he thought he had forgotten still rules what is left of his heart.