Savu and Panait, two drivers working for a firm of construction and assembly must ensure the movement of a giant machine. Along the way, she meets Miriam, a young gone to meet his fiance even transport your destination. Identity documents and stolen his train ticket. The two drivers decide to give her journey. After a night in a motel, drivers have an argument that is not foreign to the presence of Mary. For their silence, Savu decides to disembark. Not long after, overcome by remorse, turn back looking for her and thus reach his village which had left years ago. Here, Maria discovers drama of the human soul, wounded by an unhappy marriage. Arriving at your destination, are the husband of Mary is already married two months. Two men and a woman on the road to return, beyond sadness after a ravishing experience.

Some party representatives want to make a new football team.

In the early 19th century the Romanian Theodor Diamant was inspired by the French utopian socialist Charles Fourier and established one of Fourier's "phalansteries" in Rumania. The film dramatizes the origins and demise of this effort, called the "Scaieni Phalanstery (the term is derived from "phalanx" and "monastery"). Among the socio-political commentary that is conveyed throughout, there is an important collusion between the army and the wealthy landowners of the time, and as the film points out in its own way, neither of these groups has ever been convicted of socialist/utopian tendencies.

A Romanian village in the 50s. Năiţă Lucean, a cunning and stubborn peasant, opposes the collectivization process using all possible artifice. He instinctively feels that signing his land and cattle over to the state can only bring bad times for him. His only certainty is the ownership of this insufficient and barren plot of land. Although he strongly opposes it, the idea of the collective good is forcibly enforced.

In this allegorical fairy-tale, peaceful and warlike knights vie for the hand of a beautiful princess, while a discussion of disco goes on around them. She favors a peaceful knight, while her father and his advisors like the ones carrying around a lot of weapons.

This movie retells the story of a revenge that sweeps over the social and political events of the '40s. Because they sent her son to war and he never came back, his tough mother, Ecaterina Handraburu, decides to have her revenge on those who plotted to leave her heirless and grab her possessions.

Fifteen years later, Viișoara has not changed much: the shepherd remains the same lonely character, Varvara the same energetic woman caught in complicated administrative tasks, Toderaș with his palinca hidden in the barn and his fading authority, elders wise and active, young people enthusiastic—but not all of them.

A young light music band accepts the offer of a shady impresario whose "arrangements" can't prevent their triumph on the seaside.

A village celebrates being granted the title of city. During the festivity an old, sick, beat down man shows up. No one seems to recognise him but he claims to be a villager that everyone thought had died in the war 30 years earlier.

The movie describes the life of a former circus artist who earns his living from the presentation in villages and towns of a sensational number entitled "Sword Swallower".