
Acting
Ariane Ascaride (born 10 October 1954) is a French actress and screenwriter. She has appeared in films such as Marius et Jeannette (Marius and Jeannette), Ma vraie vie à Rouen (The True Story of My Life in Rouen; USA, My Life on Ice) and À la place du coeur (Where the Heart Is). She also starred in and co-wrote the screenplay for Le Voyage en Arménie (Armenia). Daughter of Henriette, an office worker, and a representative, himself son of Neapolitan immigrant, and sister of the director Pierre Ascaride and the writer Gilles Ascaride, Ariane assists early to the amateur shows in which her father is involved. Ariane Ascaride is married to the French director Robert Guédiguian. The actress is a member of the sponsoring committee of the French Coalition for the Decade for the Culture of Peace and Non-violence. Ascaride won the 1998 Best Actress César Award for her role in Marius et Jeannette and was nominated two other times, one for Best Actress for Marie-Jo et ses 2 amours (Marie-Jo and Her 2 Lovers) and for Best Supporting Actress for Brodeuses (A Common Thread; American DVD release, Sequins). She also won the Best Actress award at the Valladolid International Film Festival for The Town Is Quiet. She won the 2006 Rome Film Festival Best actress award for Le Voyage en Arménie. Source: Article "Ariane Ascaride" from Wikipedia in English, licensed under CC-BY-SA.

This gripping historical drama recounts the story of Armenian-born Missak Manouchian, a woodworker and political activist who led an immigrant laborer division of the Parisian Resistance on 30 operations against the Nazis in 1943. The Nazis branded the group an Army of Crime, an anti-immigrant propaganda stunt that backfired as the team's members became martyrs for the Resistance.

A charming comedy about going on a rather long walk. Félix is a laid-back guy living in the bleak northern coastal town of Dieppe. He lives happily with his lover Daniel and is a soap opera enthusiast and HIV-positive. After losing his job, Félix decides to find the father he never knew in Marseilles. Agreeing to meet Daniel in the southern port city in a week's time, Félix throws on his backpack and starts hiking. On his way, he discovers that family need not always be connected by blood.

The heroine of this film is immortal. She is over 2600 years old. This is the self-portrait of the oldest city in France. A city whose landscapes bear the scars of a destiny that has spared it no trials. Gateway to the Orient, crossroads of trade and immigration, Marseille is a mosaic with 111 districts and 200 nationalities. Rebellious, chaotic, in turn desired, torn apart, transformed, it is reborn each time from its ashes. Marseille tells us more about the history of France and sheds light on what France is today.


Etienne is crazy about ice skating and videoing his daily life with a digital camera. He records his mother, friends, and geography teacher. Initially his intention is to setup a date between his mother and his teacher, however, he starts to realize that he is infatuated with the teacher himself.

Marie-Jo is a middleaged woman living an ordinary life in Marseilles with her husband, Daniel and her daughter, Julie. Daniel runs a small construction business in which Marie-Jo helps. She also works at the local hospital. Outwardly their marriage is loving. But Marie-Jo has been in love with another man for more than twelve months.Marco works as a harbour pilot and is deeply in love with Marie-Jo. Learning that loving two men is impossible, Marie-Jo is forced to make a choice.

French drama, the debut film from writer-director Eléonore Faucher. Teenager Claire (Lola Naymark) discovers she is pregnant and decides to keep it a secret. Abandoning her dead-end supermarket job, she is taken on as an apprentice by couturiere Madame Mélikian (Ariane Ascaride), who is grieving over the death of her own child. As the two women work together, they soon develop a supportive and fam

A literary professor who suffers from writer's block decides to kidnap one of his female students in order to promote her brilliant essay that reminds him of his own work as his own.

Jeannette is a single mother living in a working-class community in Marseilles; she tries to support herself and her two kids on her salary as a check-out girl at a supermarket and lives in an apartment complex where everyone is thrown into close proximity with everyone else. Marius is working as a security guard at a cement factory that has gone out of business; he's also squatting in the building, since the plant is soon to be demolished and he'll be needing his money later on. One day, Jeannette happens by the factory, and spotting several cans of paint, tries to take two of them home with her. Marius spots her and tries to chase her away, while she rails at him with curses against the capitalist system. The next day, an apologetic Marius appears at her doorstep, cans of paint in hand; the two soon become friendly, and a romance begins to bloom, though it quickly becomes obvious that Jeannette's romance novel fantasies are a bit off the mark from what Marius has in mind.

Single mother Nadia is surviving on welfare while transport strikes are paralyzing France in December 1995. While watching the news, she recognizes the father of her child among the strikers and decides to go and search for him. But she has nowhere to go. The film, shot almost entirely at night, carries documentary qualities, part of which is due to the appearances of actual railroad workers in several group scenes.


