Diana, a pregnant architect, is hired to work in the renovation of the old Cinema Khouri, abandoned after the tragic death of a child. However, when she gets trapped inside there, Diana discovers the old cinema is not only alive, but hides an entity that wishes to keep her in there forever.

Aimée is a millionaire influencer who has all her family's assets blocked, except for a farm in the countryside of Ceará that she inherited from her grandfather. She leaves for the hinterland in an attempt to sell the property, but ashamed of the new reality, she invents that she will take a "sabbatical period" for a year. Thus, she will have to deal with her new life and sustain the lie on social media.

A structuralist slow-burn investigation thriller. In a high-class neighbourhood in Rio De Janeiro a young woman is murdered. Detectives are contacted but the killer continues around.

On the second day after Christ's death, humans, angels and demons question the future of existence as they wander the now abandoned Earth. Without realizing it, the existential exorcism becomes more and more intense as the Messiah's return draws closer.

At the foot of Penha Church, Joana reunites with her ex, Maria, after months of disappearance following an anxiety crisis. Maria reveals she is pregnant, hoping for clarity about their future, but Joana feels overwhelmed and unable to recommit. Now living with her friend Ana and obsessively focused on work, Joana grows increasingly withdrawn. Through flashbacks, we see her once fully in love with Maria, fearless and open—until she faints while using virtual reality glasses. Joana confesses to Ana that she created a program recreating her memories with Maria, reliving their relationship in digital form. In a final virtual goodbye, this fragmented Maria gives Joana the closure she needs. Accepting reality, Joana ultimately deletes the program, letting go even though part of her remains inside it.