In 2007, Gillian Wearing placed an advert – in newspapers, online, in job centers, and elsewhere. It read: “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” Of the hundreds of people who replied, seven – chosen through an extended process of auditions, interviews, and workshops – ended up appearing in Self Made. Of those seven, five in particular use the acting technique known as Method to delve into their memories, impulses, anxieties, fears, fantasies, and inner resources to create a series of individual performance vignettes, their personal ‘end scenes’, that reveal with particular intensity and clarity who they really are deep down – or who, in another version of their lives, they might easily have been.

Manchester is a struggling photographer with charm to spare who falls for Noon, a sweet but spunky woman who works as a taxidermist. Noon is also drawn to Manchester, and together they enjoy a wildly enthusiastic sexual relationship that reflects their innocent but deeply passionate love for one another.

Reporter Chris (Drew Horsley) and junior photographer Amanda (Hannah Walker) venture to the countryside in search of the truth surrounding the disappearance of Heather Langford and two police officers involved in the case.

Suzy's a British soldier, born and bred, but fitting back into civilian life after fighting in Iraq isn't easy. Haunted by the responsibility she feels for the death of an Iraqi child, she becomes obsessed with the safety of her own daughter, feeling the need to protect her against a threat that doesn't seem to exist. As Suzy's paranoia builds, her behaviour becomes more and more erratic, until finally, she puts her own child in serious danger.

After the tragic loss of their wife and mother, Harry and Ann find themselves emotionally adrift. As the mother's birthday approaches, they must both navigate their way through grief in order to reconnect to make it through the day.