Summer 1940, Lithuania is already occupied by the Soviets. In the interrogation underground, interrogator Pijus Karpavičius is nervously smoking, while in another room two arrested people meet - priest Antanas and Kazys, the leader of the still-organising anti-Soviet underground.

"Super,"" ""the best movie in the world,"" ""When can we download it?""—these were some of the reactions to Tadas Vidmantas' controversial debut film Gautas iškvietimas. Now, less than a year later, the trilogy concludes with Gautas iškvietimas 3. Following their unexpected success, the 7th Police Precinct faces a rare challenge—spending large sums of money. Their motto shifts from ""Protect, Serve, Help"" to ""Buy, Spend, Waste,"" but they soon realize that money can't buy happiness… though that won’t stop them from trying. Chaos follows them everywhere—dangerous calls, absurd situations, and endless trouble. Do riches change people? Which officer is expecting a baby? And will all beloved characters make it to the end? All this and more in the wildest, most star-studded Lithuanian police comedy yet—Gautas iškvietimas 3!

A true story about an 11-year-old girl named Maria who makes her way back home to Lithuania from Siberia.

Kaunas, Lithuania, 1941, Lithuanian activist Andrius Gluosnis kills a Jew Isaac in Lietukio garage massacre. Years after the incident Gluosnis is haunted by the guilt.

The story about one man - an artist and an intellectual - who was imprisoned by two brutal regimes, the Nazis and the Soviets. 'The Professor' is a man who lives by his own personal version of the Ten Commandments. After miraculously surviving imprisonment in a Nazi concentration camp through a bit of ironic fate, he writes a memoir of his life, which becomes the target of the Soviet censors. The so-called "freedom" of Communism becomes just as oppressive as the German concentration camp.

It is highly probable that before their own death, everyone has to organise someone else’s funeral. This is by far not an easy task. In addition to the searing grief, dying also brings a number of tasks that are at once utterly alien and intensely time-critical. The main character of this film, Dovile, who unexpectedly has to bury her father, has to face the bedlam of exactly such a challenge. Overnight, the young girl has to become a skilful organiser of a family event, while also being a specialist on coffins, urns, wreaths and funeral feasts. Dovile’s journey towards organising a perfect funeral is inevitably full of hardship and mishaps, accompanied mainly by black humour and comical situations.

A psychology postgraduate student escorts two patients and their nurse to a seaside psychiatric clinic. Along their journey, they break through each other's barriers, delve into the sources of their various traumas, and discover the lasting imprints left on their fragile souls.

Marius, already in his thirties, still works at the same position for many years. Boring life, colleagues that ignore him, and no friends – mum is the only person who calls him. So does he live with her. Marius, as well as millions people in the world, lives in his inner captivity, everyday gets up and serves for others‘ dreams, forgetting his own. Accidentally, he falls into an awkward situation that also brings him the world of the anti-social people. Unwillingly though, he gets familiar with their life style, and yet remains himself. Unexpected love encourages him to change his life.

The appearance of a second telephone line at home shakes the closed world of mother, father and daughter.

A daughter of a cigarette smuggler reevaluates the memories of her father, questioning the childhood myth she built around him and getting to know him anew.