
Acting
Aparna Sen is an Indian filmmaker, screenwriter and actress who is known for her work in Bengali cinema. A leading actress of the late 1960s and 1970s she has received eight BFJA Awards, five for best actress, two for best supporting actress and one for lifetime achievement. She is the winner of three National Film Awards and nine international film festival awards for her direction in films. She was awarded the Padma Shri, the fourth highest civilian award, by the government of India in 1987. Sen made her debut in Teen Kanya (1961) and received her success with Aparichito (1969). She went on to establish herself as a leading actress of Bengali Cinema with the films Aranyer Din Ratri (1970), Ekhane Pinjar (1971), Jay Jayanti (1971), Memshaheb (1972), Jiban Saikate (1972), Basanta Bilap (1973), Sonar Khancha (1973), Sujata (1974), Alor Thikana (1974), Kajallata (1975), Raag Anuraag (1975), Jana Aranya (1976), Ajasra Dhanyobad (1977), Proxy (1977), Mohonar Dike (1984), Ekanto Apon (1987), Swet Patharer Thala (1992). She also garnered critical acclaim for her work in Indira (1984), Kari Diye Kinlam (1989), Ek Din Achanak (1999), Mahaprithibi (1991), Unishe April (1995), Paromitar Ek Din (2000), Titli (2001), Antaheen (2009), Chatushkon (2014). In addition to acting in films, Sen has also been directing films since 1981, starting with 36 Chowringhee Lane for which she won National Film Award (India) for Best Director. She went on to achieve further success in direction with films Paroma, Sati, Yugant, Paromitar Ek Din, Mr. and Mrs. Iyer, 15 Park Avenue, The Japanese Wife, Iti Mrinalini, Goynar Baksho. She won her second National Film Award as a director for Mr. and Mrs. Iyer. Description above from the Wikipedia article Aparna Sen, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jiban Saikate is a 1972 Bengali film based on the novel The Citadel by A. J. Cronin. It was directed by Swadesh Sarkar and stars Soumitra Chatterjee, Aparna Sen and Dilip Roy.

Indira marries Upendranath Maitra at a young age, but as per her father's wish, she stays back with father for a period. She gets attacked by some robbers while returning to her husband's place.
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While Northern India’s 100-year-old film industry is best known for flamboyant dance sequences and romantic plot lines, its directors have begun to step outside established formulas and explore grittier subject matter. This program surveys the world of Bollywood filmmaking, examining the personalities as well as the commercial and thematic concerns that drive central Asia’s answer to Tinseltown. Interviews with directors Karan Johar, Ashutosh Gowariker, and Yash Chopra are included, along with commentary from choreographers, musical directors, and Cinemaya Magazine editor Aruna Vasudev. The industry’s newfound attention to poverty, homelessness, and other social concerns is examined. Several film excerpts are included.

Life for a shy young Indian student slowly falls to pieces during a family road trip.

The film recounts the love story of Amit Ray, a barrister educated at Oxford, whose virulent intellectualism reveals itself in its opposition to all forms of tradition. He meets Labanya in a car accident and the romance builds up in the misty hills of Shillong. The iconoclastic Amit clashes with the sincerely simple Labanya. Labanya releases Amit's own submerged depth of sincerity, which he finds hard to adjust to. The struggle makes him a curiously pathetic figure. The tragedy is understood by the girl who releases him from his troth and disappears from his life.

Politician Priyanath forces Sunita for prostitution. She is abducted by the gangster Ranjan, but latter involves and falls in love with Sujit. Sujit, just recovered from mental breakdown also involves with Sunita. While Sunita is going to marry Sujit, Ranjan kills Sunita.

An English novelist travels to Bombay to watch one of her novels translated to film. She chases after the movie's leading man while the screenwriter chases after her.

A biographical documentary film about the legendary Indian filmmaker Satyajit Ray, to commemorate Ray's centenary year. The film covers Ray's life and early works, focusing on the making of his first film Pather Panchali.

The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.

An exploration of the impact of schizophrenia on a young woman and her family in today's Calcutta.

Mrs. Iyer and her infant son are traveling to Kolkata with the help of photographer Rajah. When religious tensions flare up and the bus travelers become stranded under martial law, she makes a choice to save him that entwines their lives.

Snehmoy and Miyage are pen friends who exchange wedding vows through letters. Fifteen years pass but they never meet. Yet the bond of marriage is strong between them. This unusual relationship comes under a cloud when a young widow, Sandhya, comes to stay with Snehmoy along with her eight-year-old son Poltu. Snehmoy and the little boy bond and the arithmetic teacher discovers the joy of palpable bonds and fatherhood. There develops an inexplicable thread of understanding with Sandhya too. But Snehmoy remained loyal to his unseen Japanese wife.

After the marriage of her niece, an Anglo-Indian school-teacher, Violet Stoneham, lives a lonely life in her single room flat located at 36 Chowringhee Lane in Calcutta. When a former student starts visiting her with her boyfriend, Violet welcomes them eagerly.

The journey of a woman from a mere homemaker to a woman seeking her self identity. This search for self identity is sparked off by a young bohemian photographer, with whom she falls in love while he photographs her for a magazine doing her daily chores.

An award-winning aging actress reflects on her life while writing a suicide note.

Naina, a criminal psychology professor, is sexually assaulted in a slum she visits to help the daughter of a school custodian embroiled in a case of domestic violence and infanticide.

Naina, a criminal psychology professor, is sexually assaulted in a slum she visits to help the daughter of a school custodian embroiled in a case of domestic violence and infanticide.

Uma, a mute Brahmin girl, lives with her uncle's family as she is an orphan. Since Uma has a faulty horoscope which indicate widowhood, the family finds it impossible to get her married off. According to a custom prevalent at the time, Uma is given in marriage to a tree.

Uma, a mute Brahmin girl, lives with her uncle's family as she is an orphan. Since Uma has a faulty horoscope which indicate widowhood, the family finds it impossible to get her married off. According to a custom prevalent at the time, Uma is given in marriage to a tree.
