After Nihilistic rapper Gandu steals from his mother's lover, he embarks on a drug-fueled rampage with a rickshaw puller.

Whenever love leaves, it leaves traces. Those traces cling on to old times and familiar spaces.

Madly Bangalee is a Bengali rock band that inspires the film’s title. They rehearse in a dowdy garage of Kolkata, owned by Bobby (Lew Hilt), who owns Bobby’s Garage. Four young boys with stardust in their eyes practise their numbers not knowing what they are really aiming at. But the garage is under threat from a South Kolkata don Baburam (Chandan Sen). One morning, an elderly man, San (Anjan Dutt), arrives from "America and Paris." Baaji, (Sumit) the drummer who is a Muslim had to drop out of school. He escapes from the trap of turning a terrorist like his older brother Sultan. He later becomes a police officer who bashes up everyone who tries to bribe him. Neon (Tanaji) plays the rhythm guitar but, sucked into the world of drugs, he disappears from the face of the earth with his guitar. Pablo, lead singer, bass guitarist and lyricist, leaves for the US and the group breaks up. Bobby dies.

Three generations of a family live together but they are very different from each other. The three young sons learn various lessons from life and end up as better human beings.

A royal prince arrives on an island of fascist rule and inspires a rebellion among its women in this hallucinogenic adaptation of a classic play.

In a forest, near a border, a young Bengali and a European soldier attempt to get the better of one another. In Calcutta, Rahul, an architect who had gone off to build a career in Dubai, begins a huge construction site. He is reunited with his girlfriend, Paoli, who has long awaited his homecoming, living alone far from her family. Both set out to find Rahul's brother, who is said to have gone mad and who lives in the forest and sleeps in the trees.

Jhunku, a 14-year-old youth in 1930s British Bangladesh, embarks on a journey to determine where he belongs.

Three girlfriends, Preenita, Rhea and Shreemoyee share everything with each other from the angst of the "will-he-or-won't-he-call" debates, to the addictive gossip sessions, the analysis of dumping and getting dumped, the complaining about husbands, boyfriends, or the lack of boyfriends; over cups and cups of coffee, as they let their hair down on their 'girls-gone-wild' nights on the town.

Deb, Joy, and Ananda are unhappy with their lives. While Joy's wife earns more than he does, Ananda‘s wife is a housewife and Deb is a kind of man who wants to sleep with any girl who catches his eye. Will their bedroom stories forever be the same or will they make an effort to get along well with each other?