MILAN VIA PADOVA. A document that was born out of an excess of zeal in an investigation into the people who live on the street. The film tells of racism and intolerance through singing that shows the sweetness of a forgotten rhythm. The unusual reality reaches performative peaks when personal and social problems are intertwined. It is a film on the verge of becoming. It was born as a synthetic work but like the themes it deals with, it prolongs its life over time. After four years it became a feature film.

Is art useful to man? The actors are suited to society. Passers-by are people who want to dream but have now lost confidence, laziness on the one hand, conditioning and deschooling on the other, require you to lower your sights and everyone is content to pursue modest cheap expectations. Reality and art are not in communication, impoverished by individualism, the actors and artists dance to the rhythm imposed by power, they slaughter each other, they abuse each other without realizing the possibilities of communication that open up by moving outside the choir. Rome is occupied by every step, the foot walking lightly occupies the public land. But this occupation is not news because it is lightning fast. The criteria of employment mark the time.

Path in progress on the intentions of those who think badly. The discomfort of the mind of those who have no discomfort is greater than that of those who make discomfort their natural expression. "Troppolitani Outside Where?" it is a journey through the folds of the human and inhuman mind. A one-way trip that does not allow for escape: you remain trapped in the thought of whoever is in front of you. One is stunned by the astonishment that the deviated mind is able to arouse.

We started to make an extra to be included in our first DVD "Democratic Optimism", a collection of short films in black and white we shot between 1990 and 1999.

An electoral campaign is underway in an imaginary country. Two leaders fight over the voters, who cry in exasperation. The first leader is fat and whiny, the second smiling and aloof. A man with a laptop computer and a teenager with a stony face and muscular body look on as the political battle unfolds. An aggressive woman removes herself from the melancholy scene. After the victory of democratic optimism, the two observers kill the leader, who dies with a smile on his lips. Civil war breaks out.

A spiritual operator, don Tek, gives out advice and judgments to his followers, who dream of a dark, cruel man who attacks them with the socio-moral meanings of life. The dream interpreter materializes and is killed by don Tek who, after the murder, falls asleep to forget. But the victim appears in his dreams, leaping from the sky only to die instantly: don Tek has killed dreams.

Parents beat friends two nil.

A mother feeds her son to the point of possessing him.

Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival. In the first segment, a widow attends her husband's funeral and ends up having sex with her brother-in-law next to her husband's corpse.

Comprised of a series of bizarre and unrelated episodes, this absurd Italian comedy earned the inglorious honor of being the film with the most audience walkouts at the 1996 Venice Film Festival. In the first segment, a widow attends her husband's funeral and ends up having sex with her brother-in-law next to her husband's corpse.