A bank employee, shy and skittish, is falling into the web of fear of the events he sees around him and the crime wave that seems to invade the city.

Four Spanish women of very different origins and motivations work in Paris as handmaids.

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns). Perhaps, best of all, 'Extramuros' is realistic and frank. It isn't shy about its characters' sexuality. Their sexuality, and the film as a whole are genuine.

The story of El Nani, a juvenile delinquent from the years of the Transition, whose disappearance in a police station after an interrogation has not yet been clarified, putting the accent on the denunciation of police brutality and speculating on the outcome of the story. A story that mixes political denunciation and social chronicle of an era.

The musical group "Flor de Lis y los Dos del Orinoco" tours the fairs of the towns with their repertoire of old melodies. They arrive in Torremolinos and settle in a camping site. There they meet Johny, a cheeky "go-go boy" who lives off the land and, if possible, from foreigners. He joins them and turns them into a beat band. They dress like hippies and sing in English. Their new stage name is "Los Hippy-Loyas", and they present themselves to the public as a pop group from Liverpool. Their new life leads them to the most unusual adventures.

Ups and downs of a news agency led by Antonio Borja, a veteran journalist formed during the Franco regime, with the help of his godson and protegé Tomás. The threat of economic bankruptcy, the appearance of Julia, a young journalist from last university generations, the background of the world of tabloids (tricks used by celebrities to remain so, reports sold exclusively by interested parties, photos of Stolen nudes that have been previously agreed) and what is behind the covers of magazines that weekly buy people eager for gossip form the rest of the plot.

The frog test confirms Julita is pregnant. This is usually a great news. In this case, no. She is a victim of premarital sex, and he, Paco, a mechanic who, according to some theories of French biologist, explained by a podiatrist friend, will not be liable. Don Ramiro, the father of Julia, is a liberal-minded man, but when his daughter tells him that she will have a son who will not parent, seeking the solution of fatherhood in his gun regulation.

A Spanish insurance company is absorbed by a multinational, so that, in order to modernize, its employees are obliged to carry out some training courses to adapt to the new situation and the new objectives. Given the relevance of what is at stake, the wives of these men will also be involved at work.

Carlos, a widower in his forties, lives with his daughter Lolita and his sister Merche. He is a candidate to Spanish Court's Proctor, so frequently travels outside Madrid. During one of those trips, he is forced to return at home precipitously, because his sister informed him that Lolita has left the house to live with some friends.