Mama Cora, who is almost eighty years old, has three sons and a daughter. She lives with one of them, who has serious financial problems. The family meets one day to celebrate an anniversary meal, and that is when the problem arises: which of them will take care of her?

They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death of their mother. When Susana sells their mother's flat, she deprives her brother of the home where he had cared for their mother his whole life. Marcos's need to start living again surfaces when his sister forces him to leave Buenos Aires for Uruguay.

A portrait of the life of Niní Marshall, one of the greatest Argentine actresses and comedians. The film includes an enormous amount of excerpts from her films, interviews, documents, radio appearances and live shows.

Following his mother`s death, wise son Sebastian attempts to organise dad Nestor to cope with basic household chores. Sebastian shows Nestor how to light the oven. Later Nestor can't fix a broken lamp, but his son soon sorts it out. Nestor wants to act and invent money raising schemes whereas Sebastian yearns for a dad with a steady job. Nestor gets a role in an ad and pursues acting work. He seeks backing to market ping pong balls with world cup logos though the event has passed. The essence of the story revolves around how these conflicting aspirations can be reconciled.

A divorced man tries to win over a lesbian, his new roommate, by becoming a transvestite.

As a prize for a beauty contest, two girls win a trip to Bariloche.

Dr. Bevilaqua takes over the direction of a clinic where only sex problems are treated and the clients are very special people. With fun therapy, there will be different characters who want to receive treatment.

Batato Barea, the “clown/intellectual/transvestite” was a genius of the underground scene who was able to represent all the nuances of a changing country with his own poetic radicalism, in such a unique way that it made him irreplaceable. That paradox is the basis for this documentary by Peter Pank and Goyo Anchou, two authors in search of a character and his legacy, but also his irreplaceable presence and instantaneous, evanescent theatricality, which challenged every mandate and convention.