The newly appointed head of a censorship board uses his uncompromising stance against everything "immoral" – from nudity in movies to nightclubs – to hide a rather unseemly double life.

Peppino Bardellotti, a widower, lives in Milan with his four daughters and ex sister-in-law Matilde, who urges girls to settle down by marrying a wealthy man.

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

An American prisoner, hidden by some Umbrian farmers, meets, drunk, with a German soldier who is also drunk. The two believe that the war is over and embrace each other emotionally. But it is not so and soon the cannon will thunder. Uncle Tigna, who was hiding the prisoner and two of his companions, will fall victim to the Nazis.

Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.

A lonely teenage boy, living isolated on an island, idolizes his distant father. Complications arise when his father brings home a young new wife, whom the boy falls for, and a recently released criminal, entangled in a web of complex relationships.

Maria and Paul love them, but they are very young and, moreover, Maria is the daughter of the municipal sweeper while Paul is the lawyer Bonelli, vice mayor and head of the opposition. To complicate the story there is the reconstruction of a hermitage destroyed during the war. Reconstruction would take the view of the Paseroni villa, big industrial and political traffic. Bonelli's lawyer, a great speaker, becomes a mayor for the death of his predecessor and is bought by Paseroni, while rejecting the love of Paul and Mary for social differences and why Paul should stay behind Doddy Paseroni. At this point, Paul and Mary flee to kill, just as Bonelli has to hold a talk on the radio for the inauguration of Paseroni's villa ...

Lina, a young woman now tired of the constant betrayals from her husband, decides to cheat on him with a mutual friend, Piero.

When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is working as a cutter to support herself and an infant son, and warns her that Gino has escaped from prison and is seeking revenge. She rejects his offer to protect her. Gino finds Nives, mourning the drowning death of their son. He surrenders himself to the police and then walks at Nives' side in the funeral procession.

In the most traditional Sicilian, a 18 year old is in full arousal. His relationship with breathtaking mature woman will create a great controversy in the retrograde Sicilian society.