During the Covid-19 lockdown, a film crew is shooting an adaptation of Camus' La Peste. Reality and fiction start to blur between each other.

Amelia and Pippo are reunited after several decades to perform their old music-hall act, imitating Fred Astaire and Ginger Rogers, on a TV variety show.

Depressed magistrate Damiano Fortezza relocates from Milan to a small town in Campania, where the three Fontana sisters, owners of a chain of incinerators, dominate. The youngest, Eugenia, is about to marry a well-known crook Fortezza has to prosecute. However, he ends up falling in love with Eugenia and questioning the priorities of his job.

Alessio Rinaldi, a 25-year-old director, gets the charge from a producer to write the script of his first movie with Ubaldo Terzani, a well-known writer of horror novels. Alessio moves into Terzani's house to start this collaboration, and a strange relationship of psychological dependence grows between them: Ubaldo Terzani unveils his dark side, and Alessio fall in a desperate depth of craziness and nightmares. There is a reason why Terzani's bestsellers are so frightening ... Alessio will discover that reality can be unexpectedly more terrifying than every brainchild, and he will have to fight hard to escape Ubaldo Terzani's jaws.

Her name is Mina, but she is called Bambola (doll). Upon the death of her mother, she and her homosexual brother, Flavio, open a pizzeria. A man named Ugo loans Bambola the money, but is then killed in a fight with another one of her boyfriends, Settimio. While visiting Settimio in jail, she meets a sadistic man named Furio, and they begin a relationship.

In 1st century BC Palestine, Joseph is a carpenter who wants to travel and see the world, but destiny makes him meet young Mary. The two fall in love and marry. One day, Mary becomes pregnant and tells Joseph an unbelievable truth... He decides to stay on her side, but things won't be easy.

In 17th-century France, the Queen brings the Three Musketeers — Athos, Porthos, Aramis, and an aging d'Artagnan — back from retirement for one last job: saving her son Louis and the whole kingdom.

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

The title deliberatly recalls the famous L'oro di Napoli (Napoli's Gold) by Vittorio De Sica (1954). Alike De Sica's film here Naples is the real protagonist: Naples and its dust, not its gold. Through five episodes expressing different aspects of Naples, we have a picture of the town that doesn't belong to the postcard stereotypes...

Thirteen-year-old Giampiero is the teenage son of a decaying family. He gets to know Romana, a girl of his age, and they fall for each other. The trouble is that Romana lives in a Romani settlement set up near the block where he lives. Now, the coexistence between the travelers and the sedentary population is not without problems, so much so that violence winds up erupting. On the other hand, Romana's father is forced, to honor a gambling debt, to sell his daughter to a traveling merry go round owner. Giampiero, then decides to go in search of Romana and to elope her, as they had promised to each other...