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Paul Château-Têtard, a 45-year-old bachelor from the best of Parisian nobility, has – for the first time in his life – to take the Metro, and even buy a ticket. It is with extraordinary luck that the beautiful young Ava happens to be sitting at the counter: a spark ignites and wedding bells begin ringing in the distance.
Bertrand Mandico discovers Topsychopor, a psychological game invented by Topor.
Women have decided to exercise the power which they have between their thighs and threaten the humanity to progressive extinction. Lise and Clara, two of them, lovers and cheerful, meet the attractive Alexandre.
Diplopia “is a functional vision disorder that results in the perception of two images for a single object” (Clément Chéroux). Antonin Peretjatko literally brings this double vision to the screen. He uses it to tackle one of the issues approached in Yellow Saturday – the perception of the so-called Yellow Vests protest movement, a lengthy political episode that has fuelled the media in their field-based battle to portray the demonstrators.
Hector meets Truquette on Bastille Day and becomes obsessed with seducing her. The plan is to get her to the seaside pronto. Pator is not complaining, especially if her friend Charlotte comes along for the ride. So off they go, down the country roads of a broke and broken France. Times are hard ! Suddenly the government cancels a month of summer. Everyone back to work! A wad of cash and two gun shots later, the group splits in two like France itself. But careering away from work in no way daunts the remaining trio, dead set on relocating the Bastille Girl and reveling in an endless summer.
In a Paris in full economic slump, Jojo and Eugène have one after the other loving failures. And if all this was connected ? Our two infiltrated agents thus begin a investigation on young girls. We discover that the young girls are not always young and sometimes not even a girl.