Even a top athlete, a discus thrower, faces difficulties when she has to consider her future. She seems to lack nothing: the socialist physical education provides her with all the necessary facilities to prepare for the Olympics, she trusts a responsible coach. However, when she returns to her hometown, she still considers whether she made the right decision. When she becomes pregnant, she finds herself at a crucial moment.

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.