Acting
No biography available.
Viktor Mezek, a respected mentor to apprentices, invites his orphaned apprentice Laco for Christmas when his relationship with Hana falters. After the holidays, Laco is taunted over rumors of a homosexual relationship with Mezek and beats a fellow apprentice, risking expulsion, then disappears. Mezek searches the town, his son meanwhile visits and Hana shows them old home footage, until Viktor locates Laco hitchhiking and tries to stop him.
The hero of the opening story, the Postman Puppet (directed by Zdeněk Troška), works as a postman in the mountains. When his wife is taken to the maternity ward, he goes on his usual hike through the solitudes. Little Libor goes after the father of two girls (Petr Pospíchal), who longs for a son. Meanwhile, the weather on the ridges worsens sharply. An experienced mountaineer and his little friend spend the night in a makeshift shelter... The second episode of Hádanka (directed by Jan Ekl) has a criminal plot. A new father (Vlastimil Hašek) gets drunk with friends in a wine bar and the next day becomes a suspect in a murder. He doesn't remember the critical moments, but his testimony leads to the capture of the real perpetrator... The main character of the final short story True Love (directed by Vladimír Drha) is a frat boy (Pavel Zedníček) who spends whole days in pubs. He gets a harsh lesson from his wife, who refuses to let him see the baby...
The heroes of the small-town story are former friends Standa Stuchlík and Robert Sura, who become arch enemies, and not only because of their classmate Zuzana, whom they both like. While Robert, the dude, has rich parents who spoil him and buy him everything he asks for, Standa has to earn a hard living playing in a rock band, working part-time in the boiler room and constantly defending his hobby against his parents' disdain. His only support is his uncle Edda, also a musician.
The relationship between a teenage daughter and her mother is not an easy time in the life of either of them. But for Jana Burešová and her Simona, it means digging deep into their consciences and searching for sensitive places where the past can be revealed and a path to the future can be found. It is at her forty-fifth birthday party that a devastated Jana learns from the police that her daughter has secretly given birth. The next day, she visits her daughter in the maternity ward, but she refuses to talk to her because she cannot forgive her mother's lack of interest, the fault of which is that she did not even know her daughter was pregnant.