Heroic war adventures of an orphan shepherd boy, who saved two Red Army scout soldiers from the pursuit by White Army and as a reward was admitted into the squadron.

A political satire on one of the enemies of the Soviet regime, the leader of the English Labour Party, James Ramsay Macdonald. The plot unfolds at a fast pace, using grotesque satirical techniques to prove that the royal power in England is a fiction.

A small river separates Soviet lands from the territory of one of the capitalist powers. On the other side, the girl Pebble lives with her peasant father. One morning, after running after a cow across a river, the girl crossed to the Soviet side. She only spends one day in the kindergarten of the border post, but this day remains in her memory for the rest of her life. Seeing the bright, spacious rooms, the beautiful clothes of the children, delicious plentiful food, and many toys, the girl remembers with bitterness her dilapidated hut, where there is not always bread for dinner. Caressed by the Soviet people, in a new dress, with a bunch of donated toys, Pebble goes back home. A rude shout from a gendarme officer brings the girl back to bitter reality.

In the first years of NEP, one of the committees Relief for Starving evacuates an orphan girl Mariika from a starving village into a city. Mariika runs away on the way over.

Lost film directed by Oleksandr Dovzhenko (his first film) and Favst Lopatynskyi. It is a satire of the NEP period. Vasia, the son of a factory’s worker, is attracted by the romance of adventures. And he goes to look for them. He saves a drowning drunkard who tries to beat him. Vasia escapes from him in a vehicle parked on the shore. However, the vehicle belongs to a superintendent who, when he does not find it, stages its theft. Meanwhile, Vasia exposes priests in the church. As a result, the church is turned into a cinema, and the priest becomes a cinema technician. And finally, Vasia’s last deed is catching a criminal at home and denouncing him to the militia.

The year 1929. A “shock worker” from a tractor plant visits a film studio premises and is furious to see fake stage designs for a kitsch production about a Soviet life. He refuses to help the crew with his tractor, but is happy to ask one of the cameramen to go with him to visit an actual Soviet village. There they witness the birth of the kolkhoz and the dekulakization of wealthy villagers. Then they are transported to the future, to the year 1932, when the first five-year plan is done and the commune-sovkhoz is established. Movies can move faster than time, but the pace of change in Soviet society is even faster than that. In the movie, the entrance gate of the Odesa film factory, where all of the indoors scenes were shot, can be seen. The outdoors scenes were filmed all over Eastern Ukraine and Southern Russia (Kuban): at Kharkiv factories, in Ukrainian villages and in the 240 ha-sovkhoz “Gigant” in Rostov region, the latter representing the future after the five-year plan.

A Black American worker travels to the USSR and experiences the racial solidarity of Soviet life.

A detachment of Red Army soldiers gives shelter to a woman with a newborn. After the child is revealed to be a doll, the woman gets shot.

Day in and day out, factory worker Wolfer enjoys his luxurious life. But one day he wakes up after another night of drinking and is horrified to learn that the October Revolution has taken place. It took away the manufacturer's luxurious life. Wolfer's mansion, jewelry, and excess clothes were requisitioned. In the end, the manufacturer has to sweep the streets. He flees to Paris, where he finds a job in a circus with great difficulty.