During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

During its 85-minute running time, this jarring experimental film takes a no-holds-barred look at the way women have been treated and depicted in Western art.

In Variations, Angelidi creatively activates her knowledge of the history of the cinematic image and connects it to a global artistic language of an alternative, poetic cinema, while still preserving the peculiarities of her own tradition and, especially, her personal concerns. Angelidi -who appeared with the film Idees Fixes - Dies Irae (Variations on the Same Theme) in 1977 is classified among the filmmakers who emerged in the seventies with films that were "different", from an aesthetic viewpoint, and who proposed "another" kind of narrative

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

An experimental-allegorical film. Three different people: a sculptress of funereal monuments, an actor preparing for Sophocles’ Antigone, and a mother who has lost her child, experience three different versions of reality - with a fourth character, a thief, providing the connecting link.

The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.

The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.

An intimate confession of the Greek feminist avant-garde director Antoinetta Angelidi to her daughter Rea Walldén, and the world. A film on her gaze and life, her visions and films, and the devastating experience of going blind. A film made during lockdown inside a flat, about our interior space, at the most secret place of which one finds the Other.