In the 1980s, Patrick Edlinger, nicknamed "Le Blond", painted with the grace of a poet the first chapter in the world history of free climbing. In his hands, marginal exercise has become a real lifestyle, carrying a message of freedom. His famous solos, beyond the proven feat they represent, bear witness to this. Life at Your Fingertips, the first internationally known climbing film, touched and inspired by generations of climbers; Edlinger was one of the meteors that shone light on the cliffs of the world by following the trajectory of a single idea: to be free to live only by "climbing". Yet the man capable of concessions in the face of the necessities of life (competitions, advertisements) and pressure from the media, his public and the desires he aroused.

At the start of the 80’s sport climbing was in its embryonic stages. Bolted routes were beginning to make a regular appearance, indoor climbing walls as we know them nowadays had not yet been invented and there was no such thing as being a pro athlete. During that period standards rose exponentially, from 7b+ as the cutting edge to 9a becoming the new world standard at the end of the ’80’s. In such a short period the sport changed beyond recognition and, in Britain, was fuelled by a small group of climbers who would do anything to climb full-time: sleeping in sheds underneath crags, shoplifting for food and clothes, and living off unemployment benefits. As illustrated in this film directed by Nick Brown, these climbers were living outside the rest of society and went on to become the most influential figures in the history of British sport climbing.

Jérôme Bel's show features the memories of spectators at the Avignon Festival.

Une Vie Au Dessus Du Vide (A Life Above the Void), directed by Nicolas de Virieu, is a documentary that recounts the journey of Patrick Edlinger, an exceptional climber, through a parallel between the strong media impact he had, unmatched to this day, and the evolution, or rather the explosion, of climbing activity during the 80s/90s. Rare excerpts from mainstream programs (television news, Champs-Élysées, Le Grand Échiquier, Les Carnets de l'Aventure...) also remind us what a great star he was, all interspersed with interviews with Seb Bouin, Jean-Paul Lemercier, Arnaud Petit, Antoine Le Menestrel and Gérard Kosicki.

Dante's 'La Divina Commedia' is a poem in three parts about a journey to hell, purgatory and finally, paradise. Romeo Castellucci created his own free adaptation on the gigantic stage of the Cour d'Honneur in Avignon, in the palace where the first French pope, Clement V, resided. The pope allows Dante to descend into the inferno. We are confronted with man's confusion, the fragmentation of the community and the darkness of art.