On the eve of World War II, zany heiress Amanda Kelly travels by train to Switzerland. While passing through Germany, she meets a sweet elderly lady, who suddenly vanishes. Distraught, she questions her fellow passengers who claim that the woman was never there. Unsure if it's all in her mind or if there's a more sinister plot afoot, Amanda teams up with photographer Robert Condon to discover the truth.

Bill, an intellectually disabled man, ventures out into the world for the first time, having spent most of his life in a dreary inner city institution. He is taken in by a kind family and learns what it means to love and be loved for the first time in his life.

Bill Sackter struggles to cope after his best friend and guardian, Barry Morrow and his wife Beverly move away. Bill moves into a group home run by Mae Driscoll who teaches him how to read. Bill soon discovers his religious heritage, overcoming the fire that accidentally destroyed his small canteen business, and then travels to California to search for the Morrows.

Never trust a man whoever he is. This is the bitter lesson learned by Mary MacNeil in her relationships with three different men: her father, a mendacious womanizer; a smooth-talking office flirt, Cornelius; and an aging barrister, Emlyn, who is enchanted by Mary's youthful vitality and charm.

A disturbed and institutionalized 16-year-old girl struggles between fantasy and reality.

E. A. Whitehead adapted the script of Alpha Beta from his own play. Albert Finney is cast as "The Man," while Rachel Roberts plays "The Woman." The rest of the film remains in this pretentious vein, as we watch Finney and Roberts' marriage crumble before our eyes. One suspects that they might have patched things up had they ignored Whitehead's florid prose. Alpha Beta is salvaged dramatically by the dynamic performances of its stars, who far outshine the material.

A recovering alcoholic becomes involved with his boss's wife, a former cocaine addict.

At a Catholic boys' school, domineering disciplinarian Father Goddard rules over his pupils with an iron hand. When one of his teenage charges confesses to murder, the dogmatic but deeply repressed Goddard finds his faith challenged and his life spiralling dangerously out of control.

Based in part on Robert F. Kennedy's book, "Thirteen Days," this film profiles the Kennedy Administration's actions during the Cuban Missile Crisis.

An unhappy male takes a classroom of children and their teacher (Patsy Kensit) hostage with a set of explosives strapped to his body.