Three sisters, dead broke and disconnected from each other, travel around Europe with their mother’s corpse on top of their van, trying to minimize transportation costs. The trio has to talk, reminisce and maybe even admit that underneath their fantasies of perfection — these are women in a desperate search for freedom.

Anete lives next to the Daugava National Stadium, where rehearsals for the National Song and Dance Festival take place all day long, so the melody of "Cūkas driķos" is her constant soundtrack. Her boyfriend accidentally leaves her locked in the flat, "Cūkas driķos" keeps blasing through the window, and she's about to lose it.

Liv's estranged alcoholic dad is about to die. The doctors at the hospital make no sense. Her boyfriend is about to have a midlife crisis. Her washing machine is broken. She thinks she'll be fine as these are regular adult problems. Spoiler alert: she won't.

In this allegory about paradise lost, Ildze yearns to find peace and fulfilment by moving from the city to the countryside. However, her thoughts are consumed by the illness of her child, her estrangement from her husband and his absence. In the meantime, Ildze’s grief is enveloped by nature’s promise of comfort, which never arrives. She tries to understand where to find the beginning of the cycle of sacrifice and where to find its end. And who is her victim, or is it herself?

Trying to make a professional impression, the teacher of the 9th grade Dārta organises a parents' school meeting, but the parents' childish behaviour turns the gathering into a disaster, becoming the biggest challenge of Dārta's career so far. The new teacher prepares for the meeting, while the parents arrive late - so does the businessman Jānis, the president of the parent's school council Žanete arrives with flowers and a gift; the spouses of an open marriage Valts and Laine playing "truth or dare", while the recently divorced Maija and Raivo exchange barbs. The planning of the children's graduation turns into an absurd escalation of conflicts between the parents.

By chance, Louise and Kaspars meet on a trip to celebrate Midsummer’s Eve. She’s running away from annoying neighbours and general sense of pointlessness; he’s running away from a failing marriage. They’re both young, talented, and lost; they both want to become artists; they’re both unsure how to go on about their lives. Maybe that’s why their shared trip turns into a strange, sometimes funny and sometimes complicated journey through a relationship over the course of three years.

A business executive lays off hundreds of harbor workers after they go on strike. He and his wife plan to escape the stress by taking an Italian vacation. On the evening before the trip, one of the fired workers, dressed in an orange harbor worker safety jacket, slips into their home. Although his immediate actions reveal a murderous intent, revenge is only the initial step.

The State Electrotechnical Factory's cultural palace, or vefiņš, was opened on March 1, 1960, and was allocated for the factory's needs. However, today science has been banished from these walls. Alongside the brightest local pop artists, countless feet and legs dressed in pastels tread the boards of this stage every year to determine which group will take center stage at the Daugava Stadium during the Song and Dance Festival. Meanwhile, the young, promising and provocative documentary filmmaker Ingmārs Somis has come here to make a film about the "other side" of folk dancing on stage - about nationalistic programming, worn-out feet, sunburn and blouses tucked into underpants. He has decided to expose the teachers, lecture the parents, liberate the dancers, destroy the VEF cultural palace, get hold of the Great Kristaps and enter the Latvian cultural canon.

In the chaos of post-Soviet Russia, rising KGB officer Vladimir Putin joins forces with master manipulator Vadim Baranov to reshape life behind the Iron Curtain, using violence and deception to change the world forever.