A short film from the 1960s, a production by Francisco de Castro, Albufeira is a film promoting tourism in the Algarve city (such as Lisbon, Jardim da Europa), showing, however, the authorial and experimental brand of António Macedo, a of the founders of the Portuguese Cinema Novo, always inclined to escape the canons of production.

A short film from the 1960s, a production by Francisco de Castro, Albufeira is a film promoting tourism in the Algarve city (such as Lisbon, Jardim da Europa), showing, however, the authorial and experimental brand of António Macedo, a of the founders of the Portuguese Cinema Novo, always inclined to escape the canons of production.

A short film from the 1960s, a production by Francisco de Castro, Albufeira is a film promoting tourism in the Algarve city (such as Lisbon, Jardim da Europa), showing, however, the authorial and experimental brand of António Macedo, a of the founders of the Portuguese Cinema Novo, always inclined to escape the canons of production.

In the gardens of a large village house belonging to a reclusive architect, a hand is found. In a sign placed at the gates of the property, the architect annouces he will return it to whoever proves to be the owner.

Reflections on life and death unfold through the eyes of Jorge, the head doctor of the Haematology Department, whose world is plunged into despair when he falls in love with Clarisse, a woman suffering from advanced leukemia.

José and Maria, a young, devout couple in a remote Portuguese fishing village, take a vow of chastity on their wedding night to honor a religious pact. Their commitment is pushed to the breaking point when they rescue a mysterious, wounded stranger and bring him into their home. As the outsider’s presence ignites repressed desires and jealousy, the couple's sacred promise leads to a violent confrontation with the local community's superstitions.

World peace is at stake if a spy-ring obtains the electronic device