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The feature documentary Searching for Mr. Rugoff is the story of Donald Rugoff, who was the crazy genius behind Cinema 5, the mid-century theater chain and film distribution company. Rugoff was a difficult (some would say impossible) person but was also the man who kicked art films into the mainstream with outrageous marketing schemes and pure bluster. Rugoff's impact on cinema culture in the United States is inestimable, and his influence on the art film business-from the studio classics divisions to the independent film movement to the rise of the Weinsteins-is undeniable. Yet, mysteriously, Rugoff has become a virtually forgotten figure. The story is told through the eyes of former employee Ira Deutchman, who sets out to find the truth about the man who had such a major impact on his life, and to understand how such an important figure could have disappeared so completely.
Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who have won an Emmy, Grammy, Oscar and Tony Award. Over a seventy year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes.
Produced by Criterion in 2016, film professor Annette Insdorf, author of Double Lives, Second Chances: The Cinema of Krzysztof Kieślowski, examines the formal and thematic patterns of Dekalog.
Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.
The making of the classic science-fiction film Fahrenheit 451, and includes interviews with cast and crew members, behind-the-scenes photos, and information about the production process.
One of the great mavericks of cinema, John Cassavetes has earned a reputation as the godfather of American independent movies. The actor-turned-filmmaker invented a realist style of unadorned narrative films heavily influenced by documentaries. This in-depth analysis of Cassavetes' life and work features interviews with key collaborators and ensemble regulars, and explores the making of classics like "The Killing of a Chinese Bookie," "Opening Night" and "A Woman Under the Influence."
An interview with film critic Annette Insdorf about Francois Truffaut's 1973 film "Day for Night."
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression.
For millions of viewers, Peter Falk is Columbo. Despite playing the quintessential blue-collar TV detective of the '70s and '80s, his early career is rarely explored. Using archive footage, interviews and extracts from his films and the TV show, the documentary pays tribute to the immortal character of Columbo, while shedding light on the actor’s life, one full of twists and turns, ups and downs.
During a ride on the Staten Island Ferry, a young Wall Street investment banker and an old shoeshine man begin chatting and discussing their life philosophies.
François Truffaut (1932-1984), once the most influential critic of the French New Wave, became a brilliant, prolific, and uncompromising director, creating 25 films in 25 years. Internationally honored and beloved for his poignant, often irresistibly wry view of the human condition, Truffaut embodied the auteur's intimate grasp of the film medium. This documentary package -- a special supplement to Truffaut's films in The Criterion Collection -- is a multi-feature tribute that includes Truffaut's rare 1957 film, Les Mistons -- which foreshadowed The 400 Blows.
Wall Street business executives Bowers and his assistant Lisa get stuck in an elevator where the lingo of commerce is transformed into the language of love.
Starring the Academy Award-winning actor F. Murray Abraham, shot in high-definition video, and was transferred to 35mm film. Portrays a performance artist, Jack Narwhal, who cut himself into pieces for display in major museums around the world. In this film, he explains his bodiless condition to a belligerent workman who is setting up another exhibit in the gallery.
Bolo McBane, a cowboy detective gets his first case watching over a dying woman's vegetable garden only to find that some things are just too hard to bury.
Boy has a scary visit to the barber
"Sometimes I'm afraid the tale might be forgotten. Sometimes I'm afraid it is forgotten already." Told primarily through his own eloquent words, the film seeks to understand the man behind the searing and widely read memoir Night. Penetrating at the heart of the known and unknown, the film dives into the author’s legacy as one of the most influential survivors of the trauma of the Holocaust.