A writer brings his ailing grandmother along with him on a business trip to Tokyo, where the last moments of her life help both people feel better-connected to one another.

Failed musician Jay abandoned his family and now earns a living as head bartender in a trendy London pub. Every Wednesday afternoon, a woman comes to his house for graphic, almost wordless, sex. One day, Jay follows her and learns about her. This eventually disrupts their relationship.

A virtuous monk descends to the depths of sin and depravity after Satan sends an unholy temptress to lead him astray.

A solitary man and his partner share a tense love/hate relationship. Their lives are disrupted when a stranger enters, gradually insinuating himself into their world. The stranger’s persistence creates strain, leaving the man with lingering questions about his motivations and the impact on his life.

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.

Marion faces Paris at night with a feeling of vulnerability linked to the loss of her sister. She crosses paths with Alex. Their encounter will evolve at the rhythm of their wanderings through the city, like a journey through the night.

A Flower in the Mouth is a film diptych about time running out and how to live through the days that remain. The first act, filmed as an observational documentary in the world’s largest flower market, follows millions of bouquets transiting through a cavernous refrigerated hangar to be sold at auction, an industrial process at once both beautiful and terrifying. The film transitions to fiction in a second act freely adapted from a Pirandello play. A man with a flower-shaped tumour on his lip accosts a traveller in an all-night café. Their seemingly mundane conversation becomes a metaphysical monologue as the man, feeling death approach, clings to life by scrupulously observing its activity, watching reality in every detail, as if to fill the gap between himself and the rest of the world.

Claire and Yves, trained as physicists, have worked in the nuclear industry their entire lives. During a visit to the National Gallery, Claire is deeply moved by three Rembrandt paintings. This encounter with these three masterful works will change them forever.

Melody, 28 years old, a confused child born under the name X, decides to rent out her body in order to get the money she needs to realize her dream: opening a hair-dressing salon. To do so, she accepts to carry the child of Emily, a rich English woman 48 years old who can no longer have children. To make sure everything goes well and keep an eye on her future child, Emily decides to welcome Melody into her home and stay by her side throughout the pregnancy. Although they first appear to come from completely different worlds, the two women end up adopting each other: Melody finds in Emily the mother she never had, and Emily sees in Melody the daughter she always wanted to have. Evidently, the bonds that emerge during this double maternity create all sorts of doubts and questions.

Wealthy but arrogant writer Jean Hervey comes home one day to find that his wife, Gabrielle, has left him for another man. Realizing her mistake, Gabrielle returns, and the pair begin a merciless analysis of their marriage as the relationship comes undone.