Resisting the binary essentialism of contemporary second-wave feminism, Bean's work points to a more complex celebration of being. Here, she draws on the ecstatic yet troubling inter relationship of a small beetle and its ant hosts, where the beetles secrete a substance that is greedily licked up by the ants to suppress their usual aggression, meaning they can be torn apart by the beetle whilst still submitting themselves to it.

in Blue for You I experimented with Dov Eylath on various video techniques including chroma-key, also known as blue screen, to illustrate the psychological tension between two people. Chroma-key utilises two cameras – the one camera omits one colour from its spectre, the other then fills it in. Blue is the best colour-key. “Anne Bean covers up her face with a blue paint. Because the one camera doesn’t pick up blue, her features disappear bit by bit as she applies the colour. ‘Through’ her we see Eylath’s face appear, becoming ever more dominant. The dialogue is a complete agreement with this struggle between two identities.”