Grief, friendship and tragedy. A group of friend trying to find solaces after the death of their closest friend. In the midst of trying so, a horror awakens.

The relationship between native women in the cities of Cianjur, Bogor, and male tourists from the Middle East, that merges beliefs and morals.

Radja's friends return to the villa they once visited to uncover the cause of his death, eventually summoning his spirit through an Indonesian mythological game known as *Jailangkung*.

Satria, a professional thief, lives ironically within an academic community. Behind his friendly demeanor, he crafts a step-by-step guide to stealing—divided into two phases: pre-theft and theft. Through witty yet biting narration, the film peels back the layers of moral absurdity in society, questioning the line between cleverness and crime. A social critique wrapped in satire and irony.

On a hot day, when digital activity suddenly stopped, Adek whined to her family, asking to play in the inflatable pool. But sadly, there was no running water in their house.