Voted for in Sight & Sound's 2022 Greatest Films of all time poll.

Stalingrad, 1942: just as he is complaining about the "blockheads" who are in control, a German named Herbert gets hit. Fast forward forty years after the war to Munich's Hofgarten, where in front of the patched-up ruins of the Army Museum, Herbert reappears, mistakenly believing he is still in Stalingrad, which the victorious Germans have destroyed and rebuilt in the image of Munich.

A man who is dissatisfied with his senseless existence in his family-life and social status steals the uniform of a policeman and then enters the Oktoberfest. Now he is somebody, he is important, he can help, people respect him, etc. His wife, other relatives and some friends start to follow him while he gets some new acquaintances.

Jesus returns to present-day Bavaria, walks around Munich in a somewhat dazed manner and strikes up an affair with a nun, arguing that they are married anyway. Therefore, he refers to himself as "Ober" (waiter), obviously the male form of "Oberin" (Mother Superior). He occasionally transforms into a snake when being afraid and is finally carried up into the sky by the nun, who transforms into a bird of prey.

After several years in a coma, the Comanche, an Indian, wakes up in a Bavarian hospital. But reality does not match the dreams he had of it during his coma: it seems bleak and barren to him. The Comanche shows the audience his view of everyday life in Germany, with a collage of images and language demonstrating the absurdity of this reality.

A filmmaker (Achternbusch) is just released from prison and has to make a living with his craft again. He is followed by a reporter who wants an interview and winds up at an inn called "Zum Neger Erwin," run by a woman whom he convinces to be the leading lady in his planned production. As the story continues, the filmmaker finds ample excuses to pan the financial powers that be and to paint the benighted and talented seekers after funds as slaves to the funding process.

A native of Sennwald, Anna Göldi arrived in Glarus in 1765. For seventeen years, she worked as a maidservant for Johann Jakob Tschudi, a physician. Tschudi reported her for having put needles in the bread and milk of one of his daughters, apparently through supernatural means. Göldi at first escaped arrest, but the authorities of the Canton of Glarus advertised a reward for her capture in the Zürcher Zeitung on February 9, 1782. Göldi was arrested and under torture, admitted to entering in a pact with the Devil, who had appeared to her as a black dog. She withdrew her confession after the torture ended, but was sentenced on June 18, 1782 to execution by decapitation. The charges were officially of "poisoning" rather than witchcraft, even though the law at the time did not impose the death penalty for non-lethal poisoning.

Documentary about actor Josef Bierbichler.