Life changes dramatically for radio amateur Norman when he gets in touch with a round-the-world yachtsman who introduces him to a different life - and a taste of fame.

Russell’s composer biopics were usually labours of love. This was the opposite: he regarded Strauss’s music as 'bombastic, sham and hollow', and despised the composer for claiming to be apolitical while cosying up to the Nazi regime. Strauss is depicted in a variety of grotesquely caricatured situations: attacked by nuns after adopting Nietzsche’s philosophy, duels with jealous husbands, literally batters his critics into submission with his music, and glorifies the women in his life and fantasies.