Gabriele returns home in southern Italy to bid farewell to his father Ernesto, a former stationmaster in a small town not far from Bari. The old man reawakens in Gabriele memories of his childhood, of his loving mother, his uncle, his friends... but also of his father's rage and bitterness over his failure in achieving his artistic ambitions: Ernesto was convinced he was destined to be a famous painter, and was willing to sacrifice everything for this belief, even his own dignity – and this made his son swear that he wouldn't turn out like him. Only now, many years later, through chance and circumstances, Gabriele begins to understand Ernesto and to see what sort of person his father really was.

Saint Peter, a reluctant but passionate leader, from the crucifixion of Jesus to his own. The film's first half dramatizes the New Testament's "Acts": early fear, the renewal of Pentecost, Saul's conversion, the decision to baptize pagans, and the Apostles' dispersal. In the second half, an aged Peter goes to Rome to join Paul, arriving on the day of Paul's arrest. Paul's death brings a crisis to Rome's Christians and to Peter; lessons from Jesus's teachings guide his decision to stay. Events within the fictive household of Persius, a Roman aristocrat, capture the upheaval that Christian teachings bring to the Eternal City.

Checco, an uneducated but self-satisfied fellow from Milan, who has always dreamed of becoming a police officer, fails his entrance exam for the third time. It must be said that at the oral examination Checco said that the reason why he wanted to join the police was benefits in kind and cronyism! But the young man has connections and he soon finds himself a security agent at the Milan Cathedral. Of course the bumbling idiot proves a living catastrophe! Spotted by Sufien, an Arab terrorist who is preparing an attack against the cathedral, Checco appears as the perfect sucker. To manipulate him, he sends his charming sister Farah to him, with the mission to seduce him...

Pio and Amedeo, friends and partners in a strange funeral home, are forced to leave Foggia because of a sex tape circulating online, which ruins Pio's wedding to Rosa. After a stop in Rome at Amedeo's wealthy uncle's, the two continue their road trip before returning to Foggia, passing through Milan and Amsterdam.

Dino and Anna are a couple in their forties. Their relationship is hardly conventional: in fact, it is unconsummated. Dino gets out of it, gratifying himself with prostitutes and swingers. He reaches his nadir when he looks up Anna’s old boyfriends to ask about their sexual relations with her, and even begs them to take her back, as a way to end their relationship. Anna can’t find a way out herself; she can’t bring herself to end this one-of-a-kind, tormented love affair. In the end, Dino’s angst is what makes her feel loved, feel unique. No solution seems to be waiting in the wings.

Bebo Conforti, a well-known piano bar singer, is forced to flee in the middle of the performance, to avoid a handful of criminals who want to capture him, on the orders of the "ferocious" local boss, Fefè Lucanica. Monica, Fefè's young and only daughter, has just told him that she is expecting a child with him. Luckily for our chansonnier, Fefè's henchmen are anything but smart, the Boss despairs by denigrating them, but he is too fond of them to get rid of them. From this manhunt, an unusual "On de road" escape is unleashed, full of misunderstandings, false leads and double truths.