Reverend Samuell Parris, a failed businessman, does his best to condemn Tituba, the enslaved Native American housemaid accused of witchcraft by Parris' own household, daughter and niece.

It all begins in 1769. Her name is Hope, a beautiful genie of Oriental descent. She is the only one who can save the White Moon Drake, her only master, from the dark forces chasing him. And as their romance stretches through space and time, she uses the last wish she can grant to wake him up from the dead. Now, she needs to offer the most precious thing she has in order to save him.

The sequel leads Hope and the White Moon Drake to the mid-50s in a Film Noir filled with drama and conspiracy and in which their love story is endangered by the dark forces who followed them all the way from the 18th century. Hope is abducted by the local mob, run by an evil woman by the name of Zeena, whose Jealousy towards her grows to the point where she tries to turn the White Moon Drake against his one and only love.

More than 100 years have passed. A mischievous letter lures the White Moon Drake to the secretive canals of Venice, where he finds himself on the trail of his beloved Hope. There, a malicious hide and seek play takes place through the Venetian squares and bridges until he is invited to a mysterious ball at last, only to be subjected to a dangerous psychological game with her very life and his existence at stake. The sequel and final part of this trilogy promises to unveil and reveal all previous mysteries. But will he dare to find out the truth?