A microbudget, improvised drama, The Land follows the lives of its three main characters over a few tense days, as their lives quickly implode after an old friend returns to bring some long-held secrets to the fore.

Brett Sprague is a violent and psychopathic man, who is released on parole after serving a sentence for assault. As he returns to his family house and we watch him and his brothers, Stevie and Glenn, for the next 24 hours, it becomes clear this day will not end well.

Friends and family gather around the death bed of Gavin, where they assist in the dying man's suicide. But though Gavin's pain has been laid to rest, the grief felt by everyone there has only begun, and Walking on Water compassionately follows the attempts of Gavin's closest friends Anna and Charlie to recover from their loss.

Catherine (Anna Lise Phillips) returns to Australia after years abroad only to be confronted by her wilful mother, Katya (Anne Looby)... a ghost with attitude and a wardrobe to match.

A romantic story of young love is not what it seems. Rachel meets Matt on his way home from school. Matt falls for her, but Rachel has other ideas. Rachel and her boyfriend Nick use Matt to exact a revenge on his parents. What follows is an escalating story of revenge and payback: amoral teenager versus family.

Teresa is a spirited young girl chafing under the oppressive attitudes of 1930s society, and her father in particular. She fancies her poverty-stricken Latin tutor Johnathan Crow, without realising he merely considers her a pleasant diversion and nothing more, and eventually follows him from Sydney to London. En route she meets the gentle banker James Quick. Whilst navigating her relationships in London, including with a political poet bound for the Spanish Civil War, she experiences a transformation in her understanding of love. Based upon Christina Stead's best-selling Australian novel.

Mitchell leaves the comfort of suburban bliss convinced that no-one can assess life who has not experienced it first-hand. Clear about what is not appropriate for her, she is searching for what is: a choice. She takes a job at an inner-city hair salon and a room in a nearby boarding house. Here she meets Gaye, who lives on love and spurts on her asthma inhaler. Through a quirk of fate she meets Rex in the hall with not much on but the imprint of a boot on his behind. She takes him in, captivated by his smile. They warm to one another at once. Rex appreciates Mitchell's style and is impossible to ignore. The drawback is he comes fully loaded: Mitchell discovers that where Rex is trouble follows close behind.

A wired but charming and educated junkie couple ("we prefer the term chemically dependent") run their stolen car into a nice well to do thirty-something couple and when it gets all too hard, end up staying with them - first for a night, then a week and then for way too long.

Troubled psychotherapist Peter Bowers is suffering from nightmares and eerie visions. When he uncovers a horrifying secret that all of his patients share, he is put on a course that takes him back to the small hometown he fled years ago. There he confronts his demons and unravels a mystery 20 years in the making.

Anne (Caroline Goodall) is a successful pathologist for a top pharmaceutical corporation, and her life couldn't be better. That is, until one of her oldest and dearest friends is murdered, turning Anne's world upside down. Not satisfied with the status of the investigation, she takes it on herself, and what she finds out could threaten her career -- and her life.