Two young, deeply disturbed women discover a different kind of bond despite their contrasting personalities. Mona, with her seemingly calm and controlled façade, has already reached a point in her life wherein she can no longer hope that life will ever get better. Sara, on the other hand, wishes to escape the constant and pointless pain of her uncontrollable need to fall in love. Both women have already attempted several times to kill themselves, seeing that death is their only escape from this repetitive suffering. After exhausting all means of suicide, they discover a foolproof way to end it all.

Two young, deeply disturbed women discover a different kind of bond despite their contrasting personalities. Mona, with her seemingly calm and controlled façade, has already reached a point in her life wherein she can no longer hope that life will ever get better. Sara, on the other hand, wishes to escape the constant and pointless pain of her uncontrollable need to fall in love. Both women have already attempted several times to kill themselves, seeing that death is their only escape from this repetitive suffering. After exhausting all means of suicide, they discover a foolproof way to end it all.

Two young, deeply disturbed women discover a different kind of bond despite their contrasting personalities. Mona, with her seemingly calm and controlled façade, has already reached a point in her life wherein she can no longer hope that life will ever get better. Sara, on the other hand, wishes to escape the constant and pointless pain of her uncontrollable need to fall in love. Both women have already attempted several times to kill themselves, seeing that death is their only escape from this repetitive suffering. After exhausting all means of suicide, they discover a foolproof way to end it all.

Two young, deeply disturbed women discover a different kind of bond despite their contrasting personalities. Mona, with her seemingly calm and controlled façade, has already reached a point in her life wherein she can no longer hope that life will ever get better. Sara, on the other hand, wishes to escape the constant and pointless pain of her uncontrollable need to fall in love. Both women have already attempted several times to kill themselves, seeing that death is their only escape from this repetitive suffering. After exhausting all means of suicide, they discover a foolproof way to end it all.

After a mysterious falling out with his father five years ago, Angelo, the favorite son, has not shown his face to the family. Arlene, being the eldest and the least favorite, takes upon herself the demanding task of taking care of their very sick father even while she tends to her own husband and children. Anne, the youngest, is single and pregnant with no one to turn to except her older sister.

After a mysterious falling out with his father five years ago, Angelo, the favorite son, has not shown his face to the family. Arlene, being the eldest and the least favorite, takes upon herself the demanding task of taking care of their very sick father even while she tends to her own husband and children. Anne, the youngest, is single and pregnant with no one to turn to except her older sister.

After a mysterious falling out with his father five years ago, Angelo, the favorite son, has not shown his face to the family. Arlene, being the eldest and the least favorite, takes upon herself the demanding task of taking care of their very sick father even while she tends to her own husband and children. Anne, the youngest, is single and pregnant with no one to turn to except her older sister.

After a mysterious falling out with his father five years ago, Angelo, the favorite son, has not shown his face to the family. Arlene, being the eldest and the least favorite, takes upon herself the demanding task of taking care of their very sick father even while she tends to her own husband and children. Anne, the youngest, is single and pregnant with no one to turn to except her older sister.

Strikingly captivating and accessible short film by someone who tends to make more experimental and raw films, even though the situation in the film is raw enough as it is. We follow Piling, a young soccer fanatic, through a slum district of Manila. No ball or cleats, but a Coke can and flip-flops are the ingredients for a virtuoso demonstration of the football art. Only at the end does it become apparent why the little ball juggler will never be a Ronaldinho.

After ending her toxic relationship with her boyfriend Ben, 40-year-old Alice discovers she is pregnant. With her age and current relationship status, her first instinct is to have the pregnancy terminated. As her body undergoes dramatic changes, Alice struggles and needs to decide what to do. Will she slide back into the arms of Ben? What will this mean for the child growing inside her?