Acting
No biography available.
Three Broadway chorus girls seek rich husbands.
Hope has an act in a traveling circus where she is "the rainbow princess" and performs a Hula dance. The owner of the circus pawns the girl off on Judge Daingerfield as his long-lost granddaughter. Hope goes to live with the judge, and to the horror of his upstanding family, insists on having the circus performers over as her guests. But the whole ruse, unbeknownst to her, is so that the circus owner's sons can rob the judge.
When a young girl who has grown up as a music hall entertainer is brought to live in a stodgy New England town, the quiet town life is changed forever.
Maggie, a headlining comedienne with the Follies, takes a fall off the stage into the orchestra pit and lands on the drum of musician Al Cassidy. One thing leads to another, they fall in love and get married. Al becomes a famous songwriter and Maggie stays home and has children. One day Al is hired to write a big number for Selma Larson, one of the Follies' most beautiful stars, and falls for her.
A Soundie with Ann Pennington.
Peggy and Bill are high society lovebirds, but their marriage plans are put on hold while Peggy spends most of her summer straightening out her wayward parents and her unlucky-in-love sister Janet. Mama and Papa are set to rights fairly quickly, but Janet's the one with real problems. It seems she sent some compromising love letters to a worthless cad, and now the bounder wants to use the letters for blackmail. Peggy's friend Roger and his flapper sweetheart Tootie hatch an elaborate plan to retrieve the incriminating letters and salvage Janet's reputation.
"When the Paramount movie people decided to make "Night Club"...they took a lot of stage names, let some of them do their specialties, wound a thin, unpleasant story around the whole, and called it a day." - Kansas City Times, 02/18/1929
Bobby Martin, a young middleweight champion boxer, is an honest and decent fighter. However, a dishonest but beautiful woman uses every trick to ensnare him.
A comedy which concerns the struggles of an ambitious department store sales clerk who is caught up in New York high society.
A cross-dressing farce, adapted from "Madame Lucy" by Jean Arlette, in which to help a friend in a lawsuit, Jack Mitchell disguises himself as the mysterious "Madame Brown," a missing witness important to the case of the plaintiff. He attracts the romantic attention of two old roués and one hot Broadway showgirl.