Hitler: The Last Ten Days takes us into the depths of der Furher’s Berlin bunker during his final days. Based on the book by Gerhard Boldt, it provides a bleak look at the goings-on within, and without.

When her mother dies, her attractive young daughter hungry for love moves into the dead woman's house as a quest to seduce its tenants in her desperate search for love.

A group of close friends spend their time drinking and partying. When the American fiancé one of them shows up, the clique protects her by hiding her from him. He slowly becomes deeper involved with the wild bunch while the party rages on. This once controversial British movie was filmed in 1962 but not released until three years later.

Taking its title from Harold Macmillan's widely-reported Cape Town speech about the process of decolonisation in Africa, The Wind of Change showed the other side of the coin: the impact of colonial immigration at 'home'. The film deals with the 'colour problem' within the context of Teddy boy violence.

Defiant's crew is part of a fleet-wide movement to present a petition of grievances to the Admiralty. Violence must be no part of it. The continual sadism of Defiant's first officer makes this difficult, and when the captain is disabled, the chance for violence increases.

During a bank robbery, the manager and a cashier are locked in the strongroom, while the crooks escape. Later, when the gang realise that their plan to release the pair has gone wrong, they return to the bank to try and release them before the police turn up.

A lord returns to his manor with his new wife, to hear rumours that he had already secretly returned and had committed several murders. Has he lost his mind, or is something dark afoot ?

Janet Miller (Lana Morris) is a married woman caught in awkward circumstances after police investigating a murder come up with evidence, and a potentially lethal motive, which lead them to suspect her of committing the crime. Their suspicions increase when Janet is less than forthcoming about a visit she paid to a former beau. Happily, her loyal husband (Ronald Howard) swears by her innocence and quickly leaps into motion to find the real killer.

The parallel stories of two couples in crises and their connections to a drowned woman found in a river.

Advertising golden boy Andrew Quint is fed up with his fabulously successful life. In very dramatic fashion, he quits his job to return to writing for a small literary magazine. He wants to leave his former life behind, going as far as saying good-bye to his wife and mistresses. He finds, however, that it's not so easy to escape the past.